An often meandering but engagingly written portrait of a young woman’s life and times.
Lewis presents a novel that offers curious glimpses into the life of a 20-something big-city reporter.
The unnamed, single narrator works in journalism in New York City, covering topics large and small, local and national, in an editor-enforced“Plain-Jane…styleless” style, which makes her feel a hack. She has two roommates: Leon, a friend since childhood, and Susannah, a poet and e-commerce support staffer; another longtime pal, Ruth, shares the up and downs of her marriage and caring for her baby. Lonely and adrift, she doesn’t feel comfortable with her father (who’s remarried), her well-meaning but casually cruel mother, or her crowded rental apartment. She attends parties filled with people she doesn't know, has brief interactions with passing strangers, and tries to find love. Although other characters haphazardly bounce into and out of the narrative, her love interests receive the most attention—particularly Simon, a musician and paralegal with endearing and frustrating traits. The narrative is composed mostly of brief sketches of sensation, emotion, and action with no clear narrative thread, which gives the work an ethereal feel. Lewis skillfully wields sparse language to highlight the daily mundanities of navigating friendships, romantic relationships, and work, and also addresses the complexities of abortion. Occasionally, the sparsity gives way to beautiful imagery: “The river outside the window was motion and light, liquid hues like still-wet paint.” Small sensory details also breathe life into scenes: “Back at the house, my father’s trees bend in the curve of the wine glasses as I set the table.” Scenes of sex and flirtation appear often, as though the narrator wants to be reassured of her desirability; she also regularly highlights the technological changes rushing through society, as when a child thinks that “Don’t forget to subscribe!” means goodbye.
An often meandering but engagingly written portrait of a young woman’s life and times.Pub Date: July 15, 2025
ISBN: 9798992025804
Page Count: 183
Publisher: SmallPub
Review Posted Online: July 10, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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