by Corey Robin ‧ RELEASE DATE: Sept. 24, 2019
A penetrating profile of the Supreme Court’s longest-serving justice.
For Supreme Court Justice Clarence Thomas, racism in America can never be expunged.
Analyzing speeches, court opinions, and Thomas’ writings, Robin (Political Science/Brooklyn Coll. and CUNY Graduate Center; The Reactionary Mind: Conservatism From Edmund Burke to Donald Trump, 2017, etc.) argues persuasively that Thomas’ right-wing conservatism and black nationalism make him “the most extreme justice on the Supreme Court.” Thomas, writes the author, believes “that racism is permanent, the state is ineffective, and politics is feeble.” Noting that he rejects “virtually all of Thomas’s views,” Robin warns against dismissing them, and he presents them in detail along with critiques from other justices and analysts. Central to Thomas’ beliefs is the valorization of the black male provider and protector, “a figure of authority whose word is law for the women and children under his care.” Black men, “stolid, moral, responsible, authoritative, upstanding,” are essential to the black community. For Thomas, white racism and liberal politics combine to undermine black interests. Blacks, therefore, “should cease to look to electoral politics as a means of bettering their situation; any involvement in electoral politics will only confirm white power and reinforce black powerlessness.” Efforts such as affirmative action, for example, reinforce black powerlessness by failing to treat blacks and whites as equals, defining blacks as “inferior and deficient.” When Thomas considers the incarceration rate for blacks and liberals’ cry for judicial and prison reform, he counters that “the racist dimensions of the carceral state” actually benefit African Americans: Harsh policing protects black neighborhoods from crime, and stringent punishment fosters law-abiding behavior. Adversity—even slavery and society under Jim Crow—“helps the black community develop its inner virtue and resolve.” Acknowledging that we are all trapped “in the same historical moment” as Thomas, Robin asks readers to examine the premises underlying their own social and political views. Thomas’ “beliefs are disturbing, even ugly,” Robin acknowledges; “his style is brutal. I want to make us sit with that discomfort rather than swat it away.”
A penetrating profile of the Supreme Court’s longest-serving justice.Pub Date: Sept. 24, 2019
ISBN: 978-1-62779-383-4
Page Count: 320
Publisher: Metropolitan/Henry Holt
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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