A promising debut, albeit with some familiar conflicts.
A college football team serves as a macho proving ground and a deep repository of secrets.
King College in North Carolina is one of the country’s premier academic institutions, but it’s hapless in Division 1 football. So attracting talented players requires some compromises. Miles, the rueful narrator of Sobel’s debut, remembers King as one of the few places willing to take on an underweight linebacker (he’s 17, having skipped a grade in elementary school). It’s also where he believes he can explore being gay far from his conservative Colorado hometown, until he enters the team’s homophobic bubble. Reshawn, Miles’ roommate, is more of a puzzle: a star running back with his pick of programs who inexplicably opted for an NCAA doormat. In the year or so the novel covers, both men weather the emotional toll of needing to belong. Miles absorbs teams hazings and stomachs casually slung anti-gay slurs while laboring to maintain a budding romance with a classmate who refuses to be closeted. Reshawn, an academic wunderkind as well as an A-list athlete, suppresses his intellectual side while concealing his reasons for choosing King. Sobel, who attended Duke on a football scholarship, writes engrossingly about football's punishing physical and psychological rituals. And though his characterizations are solid, too, the book's style and tensions are so straightforward that it reads more like a YA novel. A subplot involving Reshawn’s research on a well-educated freed slave feels forced and underdeveloped, as do Sobel’s late efforts to work in riffs on Herman Melville’s “Bartleby the Scrivener.” (The latter trope reinforces the sense that the book is a gridiron reprise of The Art of Fielding.) Still, the core crises that Miles and Reshawn face feel authentic, and Sobel smoothly persuades the reader to witness their many bruises.
A promising debut, albeit with some familiar conflicts.Pub Date: Oct. 13, 2020
ISBN: 978-0-8131-8021-2
Page Count: 328
Publisher: Univ. Press of Kentucky
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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