by Cortney Cino ; illustrated by Tadgh Bentley ‧ RELEASE DATE: June 3, 2025
A gleeful embracing of childhood mess and disorder.
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In this picture book, a visiting ant leaves a note for the little boy whose untidy eating habits have provided her cohorts with so much food.
Jay, a brown-haired, big-eyed white boy with a chunky build, is a chaotic eater. He is always dropping crumbs, spilling drinks, chewing with his mouth open, and leaving scraps of food lying about. This is vexing for his parents, but very good news for Antonia, a blue-striped ant, and her plain black brothers and sisters, who have taken Jay’s scraps as an invitation to holiday at his house. Unfortunately for the ants, Jay’s parents’ cleaning efforts have escalated into outright anti-ant behavior. That is why Antonia has written a note in discarded chocolate-cake icing bidding Jay thank you and farewell—“We’re retreating to new (and safer) terrain”—and arranging to meet him in his treehouse. Cino presents Antonia’s note in a chocolate-colored, faux printed font across a combination of single- and double-page spreads. Each text block is edged by messy ant footprints, and the busy meanderings of Antonia and the others bring a sense of happy disorder. Bentley’s dawn-hued digital illustrations evince both a distinct style and a delightful deftness of touch—as in an apple core and banana skin, and Jay’s dad powdering a melon rind with ant poison. Jay is a relatable character whose behavior and motivations will be easily recognized by young readers. The ants, though expressionless, exhibit an endearing collective personality.
A gleeful embracing of childhood mess and disorder.Pub Date: June 3, 2025
ISBN: 9798988925170
Page Count: 32
Publisher: Whimspire Books
Review Posted Online: July 8, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Review Program: Kirkus Indie
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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