Warmhearted, delightfully quirky, and believable.
Alistair is an African grey parrot who is tortured by his life in captivity.
He narrates his tale in prose and poetry, alternating with Fritz Feldman, an almost-12-year-old boy who works in a pet shop, and Bertie Plopky, an elderly woman. The birds and animals all communicate with one another, displaying unique perspectives. Bertie speaks mainly through letters to her deceased husband, and Fritz keeps a journal. Although they were hatched in the pet shop, Alistair dreams of escaping with his sister, Aggie, to a world of trees and blue sky. His elaborate plans and attempts are always foiled, due in great part to his inability to fly because of a damaged wing. His frustration and anger lead him to pluck his own feathers and bite the hands that feed him. He refuses to see that Aggie is thoroughly content with her life as Fritz’s pet, and when Bertie purchases him, he is resentful and uncooperative in spite of her kindness. As their interactions increase, however, the humans and birds grow a loving friendship, finding insights into themselves and one another. Leonardo carefully balances fantasy with a grounded reality. The three narratives flow nicely at a measured pace over the course of a year, allowing readers to see a complete, complex picture of the intertwining lives. The punny headings and poetry references ("One Flew Over the Parrot's Cage—or—Parrot-ise Lost") will likely fly right over the heads of young readers. The book adheres to the white default.
Warmhearted, delightfully quirky, and believable. (Fantasy. 8-12)Pub Date: Feb. 12, 2019
ISBN: 978-1-5344-2099-1
Page Count: 384
Publisher: Aladdin
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
This sensitive coming-of-age tale compassionately explores prejudice and multiculturalism.
Lily, an orphaned 12-year-old who lives in a small eastern Maine town, becomes fast friends with Salma, a Latina migrant worker who has come with her family to pick blueberries.
At first glance the distance between the pair seems vast, but they share some common interests, including finding a way to help Lily’s elderly, blind dog, Lucky, regain his eyesight. Lily, who lives with her caring Franco-American grandparents, is plucky and determined; she’s painting special houses for native mason bees to sell to raise money for expensive though risky surgery for Lucky. She’s also dealing with the apparent unwinding of her BFF status with Hannah, reigning Downeast Blueberry Queen, a role that comes with a big monetary prize. Against all odds, including Lily’s own incipient prejudice, Salma decides to run for queen, and, unexpectedly, Hannah offers useful assistance. Lord tenderly explores Lily’s growing understanding of her own emotional boundaries, defined by her frustration over never having known her mother, fear of expressing her individuality, and wariness of change—all aspects of her personality that Salma gently reveals to her. Lily’s likable voice believably discloses her maturing awareness of the limitations she’s built around herself while also offering an accurate and appreciative depiction of a unique setting: the blueberry barrens of Downeast Maine.
This sensitive coming-of-age tale compassionately explores prejudice and multiculturalism. (Fiction. 9-12)Pub Date: May 26, 2015
ISBN: 978-0-545-70027-6
Page Count: 192
Publisher: Scholastic
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engaging tale for the latest generation of Clements fans.
Clements’ last book, a posthumously published sequel to his beloved Frindle (1996).
Sixth grader Josh Willett loves all things to do with computers—coding, creating, even doing his homework on his school laptop and submitting it online. But his hopelessly outdated English language arts teacher, Mr. N, requires students to bring physical books to class, uses a chalkboard instead of the SMART Board, and continues to insist that all assignments be handwritten, in “blue or black ink.” And neatness counts! When Josh’s search for an actual pen uncovers an old one of his mother’s from when she was in sixth grade, marked “Frindle,” Josh looks up the unfamiliar word online and finds a photo of 11-year-old Nicholas Allen, who looks a lot like a young Mr. N. Josh and his friend Vanessa investigate the mystery—and quickly discover that Mr. N. doesn’t want his past revealed. Written with Clements’ trademark humor and featuring his classic straightforward, persistent protagonists, this work takes on the modern digital world, both good and bad, while paying homage to E.B. White’s Charlotte’s Web and Strunk and White’s The Elements of Style. This volume lacks Clements’ sure touch and isn’t quite up to par with his best, but it’s nevertheless a fitting final work from a master storyteller. Central characters present white; names cue ethnic diversity in the supporting cast. Final art not seen.
An engaging tale for the latest generation of Clements fans. (illustrator’s note) (Fiction. 8-12)Pub Date: Aug. 27, 2024
ISBN: 9780399557637
Page Count: 224
Publisher: Random House
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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