This used to be labeled “cyberpunk.” Some believe it’ll be called “real life,” sooner or later.
Even in a future world where both landscapes and personal identities are way too fluid, murders still happen, and their solutions must be found. No matter what (or who) is damaged along the way.
Never mind the exact year. All you need to know is that sometime in the future, coastal cities like Los Angeles are all but halfway submerged in water and there has been so much war in the interim that it’s hard to know who won or lost. Still, people adapt to change as they always have and Orr Vue, a grizzled, sardonic retired soldier and professional “fact checker” for a powerful data-collecting company called InfoDrip, insists on living as quiet a SoCal life as super-stressed socio-environmental circumstances permit. Somehow, there’s always LAPD around, and they pick up Orr for questioning about the murder of his employer, Thomas Mahoney. Orr’s not a suspect, but Auggie Wolf, his fellow war vet and one-time lover, is being held for interrogation. Even though the cops are sure they have their man, they allow Orr to dig further into the case using his facility with piercing through foggy deceptions with factoids—and with wielding surplus military drones. Also interested in using Orr’s detecting skills is Mahoney’s daughter, Marianna, enigmatic and, of course, beautiful, though the old soldier isn’t satisfied with using that mere adjective: “[She] had a body that hit my eyes harder than tear gas, lit up my nervous system like a dozen Tasers, made my heart pound harder than a panic attack, and took my breath away like a week of water-boarding…I wanted to tell her secrets until I ran out of them, and then make some up just to keep on talking.” That sentence should give you some idea of how O’Brien keeps your head in the action with antic, lyrical wit and vivid—if sometimes bewildering—action scenes as Orr’s search for Mahoney’s killer becomes more brutally complex. It all works out in extremely weird, perversely satisfying ways.
This used to be labeled “cyberpunk.” Some believe it’ll be called “real life,” sooner or later.Pub Date: March 4, 2025
ISBN: 9780593687284
Page Count: 304
Publisher: Pantheon
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
