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ELECTRIC TITAN

An intense examination of life, love, and disability through a futuristic lens.

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A disabled teenage girl must harness her emerging telekinetic powers to counter an oncoming meteor in Reardon’s YA SF novel.

Seventeen-year-old Rosa Viviani can no longer do activities such as climb the staircase to her house or walk along the lakeshore with her father since she suffered an accident while participating in Convalor, a racing-themed celebration on her planet Titan, which put her in a hoverchair. One day, she feels a tingling in her arm; a Faberge egg (an heirloom belonging to a disabled ancestor) falls from her dresser, and an announcement pops up on her “tabicus”: A meteor is coming to Titan, and, if not stopped, it will destroy Titan in six days. The narrative then proceeds with a six-day countdown, interspersed with chapters touching on Rosa’s life before and after her accident.  A highlight of Rosa’s post-accident experience is a growing closeness with classmate Cordelia, who doesn’t treat Rosa’s disability with pity, as do many around her, including a now-discarded boyfriend. Rosa also studies Wicca, does tarot readings for classmates, and often meditates her way to an “astral temple” where goddesses (some with physical disabilities, some invisible) engage her in dialogue about choice, free will, and, ultimately, the mentally moving objects ability that she now appears to have. Early in the countdown period, Rosa is approached by scientists who have covertly witnessed her unusual skills who want to see if they can be leveraged to fend off the meteor. By novel’s end, despite some setbacks and a heartbreaking loss, Rosa ends up transforming herself and her world.

Reardon, who shares in his “About the Author” note that he is “a brain tumor survivor since the age of 8, and handicapped since the age of 10,” offers insightful commentary and perspectives about disability through the journey of his teen protagonist. Readers learn about Rosa’s post-accident suicide attempt, frustration with and empathy for her ableist parents (“Hopefully, they would evolve. My new life was new for them, too”), and eventual epiphany that “Being in a hoverchair is only part of who you are. Once you realize that, no meteor could ever stop you.” This last comment is made by an astral temple deity in one of the goddess sequences—these scenes are an element of the book that can get somewhat esoteric. (Another goddess, for example, remarks that Rosa is “the one who will bring neo-collectivism to Titan.”) Nevertheless, these conversations showcase Rosa’s intelligence and psychological makeup (supportive, strong Cordelia, a lovely secondary character, astutely suggests that “The goddesses come from your subconscious, right?”). The nonchronological structure of the narrative is at times frustrating; some of the flashback chapters are not as compelling as the looming present-day threat. The way in which Rosa came to be in the apparently now-novel (on Titan) circumstance of being disabled is also withheld until late in the novel and then explained rather hazily (the injury at Convalor is left murky, with the medical operation afterward seemingly responsible for the hoverchair issue). Still, Reardon creates a fascinating future world in which Rosa must draw on some “old” tech to save the day, and her mother, an “animac,” contemplates the disquieting knowledge that her battery life will outlast the lifespan of Rosa’s father.

An intense examination of life, love, and disability through a futuristic lens.

Pub Date: June 13, 2025

ISBN: 9798992034608

Page Count: 225

Publisher: Self

Review Posted Online: May 22, 2025

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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