Despite panoramic ambitions, the novel never quite catches fire.
An anti-imperialist fairy tale about the building of the Panama Canal.
Henríquez’s novel begins in 1907, with work on the canal well underway, and reveals how its construction changes the lives of multiple characters of varying nationalities, classes, and races, each in Panama for their own reasons. Henríquez is skilled at juggling the many subplots. Among the central characters, Ada Bunting from Barbados is the stereotypical sentimental heroine. The biracial 16-year-old has come to Panama to earn money to save her ailing sister’s life; she gets a job nursing the sick wife of wealthy, idealistic, but emotionally stunted malaria researcher John Oswald (whose under-explored complexity makes him one of the book’s more interesting characters). Plucky Ada begins a tepid romance with young Panamanian Omar Aquino, whose broken relationship with his fisherman father Francisco exemplifies the divided loyalties and resentments of Panamanians treated as second-class citizens in their own country. Francisco sells to fishmonger Joaquín, whose wife ropes her husband into organizing a demonstration of passive resistance against Canal Commission orders to dismantle and move her entire hometown. A host of other characters are sketched in, from an Antiguan cook who undermines Ada to an inept French doctor, an intuitive palm reader, and a Barbadian sugar planter in love with Ada’s mother but too weak-willed to fight for her. Along the way, Henríquez plugs in the history that many North Americans probably don’t know: the Panamanian civil war and intervention by the United States, which paid the country, newly independent from Colombia, $10 million dollars for full control of the Canal Zone. The depiction of white North Americans and Caribbean planters as at best clueless, more often mercenary and cruelly racist, is undoubtedly accurate. Unfortunately, and despite Henríquez’s lyrical prose, they never feel fully realized as individuals. Neither does virtuous Ada, the noble Panamanians, or Mrs. Oswald, a representative of white female victimhood who has sacrificed her intellectual ambition for a loveless marriage.
Despite panoramic ambitions, the novel never quite catches fire.Pub Date: March 5, 2024
ISBN: 9780063291324
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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