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PRAISESONG FOR THE KITCHEN GHOSTS

STORIES AND RECIPES FROM FIVE GENERATIONS OF BLACK COUNTRY COOKS

A pleasing, succulent mix of storytelling and mouthwatering recipes.

A celebration of Black Appalachian cuisine and folkways.

“People are always surprised that Black people reside in the hills of Appalachia,” writes Wilkinson, former poet laureate of Kentucky. Indeed, she adds, Appalachia is widely thought of as the domain of Scots-Irish immigrants who “were mostly poor and therefore couldn’t own slaves”—a view that’s incorrect in several dimensions. Following emancipation, some Black Appalachians took up industrial work, but most remained smallholder farmers. While no strangers to scarcity, the author’s family had access to the wild game and plants of the mountains and the abundant fruit trees and berry bushes that grew around their homes. From the rusty metal recipe box that she calls “my finest family heirloom,” Wilkinson “conjures up the kitchen ghosts of my rural homeland.” That recipe box serves as an inspiration and gentle guide, but its recipes aren’t heavy on ironclad, inviolable instructions. Writing about cooked greens, Wilkinson notes that while they so often tend to be boiled down to mushiness, she prefers some crispness to them—as do many aficionados of traditional Southern cuisine. There was even a time, she allows, when she decided that she was going to be a vegetarian and thus rejected the pork-laced greens and casseroles from her grandmother’s kitchen. “A little bit of meat ain’t gonna hurt you,” her bewildered grandmother urged. It took decades for pork to return to the author’s table, however—and now that it has, readers will want to rush to cook her husband’s recipe for pulled pork (“he’s the meat man”). Other highlights include a tasty plate of pinto beans, a perfectly delicate angel food cake, green beans with new potatoes, plus chicken and dumplings and “a mess o’ greens”—the list goes on, a font of inspiration.

A pleasing, succulent mix of storytelling and mouthwatering recipes.

Pub Date: Jan. 23, 2024

ISBN: 9780593236512

Page Count: 256

Publisher: Clarkson Potter

Review Posted Online: Oct. 13, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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TILL THE END

Everything about Sabathia is larger than life, yet he tells his story with honesty and humility.

One of the best pitchers of his generation—and often the only Black man on his team—shares an extraordinary life in baseball.

A high school star in several sports, Sabathia was being furiously recruited by both colleges and professional teams when the death of his grandmother, whose Social Security checks supported the family, meant that he couldn't go to college even with a full scholarship. He recounts how he learned he had been drafted by the Cleveland Indians in the first round over the PA system at his high school. In 2001, after three seasons in the minor leagues, Sabathia became the youngest player in MLB (age 20). His career took off from there, and in 2008, he signed with the New York Yankees for seven years and $161 million, at the time the largest contract ever for a pitcher. With the help of Vanity Fair contributor Smith, Sabathia tells the entertaining story of his 19 seasons on and off the field. The first 14 ran in tandem with a poorly hidden alcohol problem and a propensity for destructive bar brawls. His high school sweetheart, Amber, who became his wife and the mother of his children, did her best to help him manage his repressed fury and grief about the deaths of two beloved cousins and his father, but Sabathia pursued drinking with the same "till the end" mentality as everything else. Finally, a series of disasters led to a month of rehab in 2015. Leading a sober life was necessary, but it did not tame Sabathia's trademark feistiness. He continued to fiercely rile his opponents and foment the fighting spirit in his teammates until debilitating injuries to his knees and pitching arm led to his retirement in 2019. This book represents an excellent launching point for Jay-Z’s new imprint, Roc Lit 101.

Everything about Sabathia is larger than life, yet he tells his story with honesty and humility.

Pub Date: July 6, 2021

ISBN: 978-0-593-13375-0

Page Count: 288

Publisher: Roc Lit 101

Review Posted Online: May 11, 2021

Kirkus Reviews Issue: June 1, 2021

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AN INDIGENOUS PEOPLES' HISTORY OF THE UNITED STATES

A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.

Custer died for your sins. And so, this book would seem to suggest, did every other native victim of colonialism.

Inducing guilt in non-native readers would seem to be the guiding idea behind Dunbar-Ortiz’s (Emerita, Ethnic Studies/California State Univ., Hayward; Blood on the Border: A Memoir of the Contra War, 2005, etc.) survey, which is hardly a new strategy. Indeed, the author says little that hasn’t been said before, but she packs a trove of ideological assumptions into nearly every page. For one thing, while “Indian” isn’t bad, since “[i]ndigenous individuals and peoples in North America on the whole do not consider ‘Indian’ a slur,” “American” is due to the fact that it’s “blatantly imperialistic.” Just so, indigenous peoples were overwhelmed by a “colonialist settler-state” (the very language broadly applied to Israelis vis-à-vis the Palestinians today) and then “displaced to fragmented reservations and economically decimated”—after, that is, having been forced to live in “concentration camps.” Were he around today, Vine Deloria Jr., the always-indignant champion of bias-puncturing in defense of native history, would disavow such tidily packaged, ready-made, reflexive language. As it is, the readers who are likely to come to this book—undergraduates, mostly, in survey courses—probably won’t question Dunbar-Ortiz’s inaccurate assertion that the military phrase “in country” derives from the military phrase “Indian country” or her insistence that all Spanish people in the New World were “gold-obsessed.” Furthermore, most readers won’t likely know that some Ancestral Pueblo (for whom Dunbar-Ortiz uses the long-abandoned term “Anasazi”) sites show evidence of cannibalism and torture, which in turn points to the inconvenient fact that North America wasn’t entirely an Eden before the arrival of Europe.

A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.

Pub Date: Sept. 16, 2014

ISBN: 978-0-8070-0040-3

Page Count: 296

Publisher: Beacon Press

Review Posted Online: Aug. 17, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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