A grotesque apocalyptic fantasy that can’t quite shoulder its own cosmic weight.
A serial killer—or maybe something else—stalks the denizens of an isolated community on an island off North Carolina.
Bunn is one of the most prolific comics writers around, but while he’s only dabbled in fiction, he’s no stranger to horrible things. Drawing on pulpy imagery and influences ranging from H.P. Lovecraft’s Cthulhu Mythos to Stranger Things, his first adult novel drives a touristy town in the American South to the brink of madness. There’s a formula at work here but readers who have spent time in towns like Castle Rock or Derry will be plenty comfortable with it. Wilson Island is a prototypically wholesome, touristy town populated by good hardworking folks (read: a whole bunch of victims) and a few bad apples. Among the sizable cast, we meet knocked-up teenager Willa Hanson, who’s hiding her pickle from her father, Wade, a small-town gangster. There’s also hard-nosed Sheriff Bartholomew Buckner; plucky reporter Rachel Lang; Madhouse Quinn, the local nutcase; and Denny Danvers, a sword-wielding Dungeons & Dragons legend and weed dealer with a heart of gold. More importantly, Bunn follows along as a serial killer begins butchering the townsfolk at the behest of his mother, all while wearing some kind of bone-based mask and babbling about his “harvest.” The first half reads closer to psychological horror before the killer is, to our surprise, revealed completely. Only then does the book take a giant left turn into a much bigger, weirder, and hard-to-explain story. The threat veers toward the vague, nameless “dark forces” common to this flavor of horror, but what follows is vicious, graphic, and largely nonsensical—closer to John Carpenter’s The Thing than any procedural investigation. By the end, the gory set pieces and lurid imagery are carrying more weight than the plot, but readers of Grady Hendrix, Paul Tremblay, or Stephen Graham Jones will find themselves right at home.
A grotesque apocalyptic fantasy that can’t quite shoulder its own cosmic weight.Pub Date: Nov. 11, 2025
ISBN: 9781668065273
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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