A fun story with art that’ll knock readers dead.
A cemetery-obsessed kid finds himself in ghoulish company.
On his way to school with his friend Marshall, Grey splits off to take a shortcut through the cemetery. Grey trips, accidentally dropping his school project—a diorama of the cemetery—into an open gravesite. Before he can get it back, a clawlike hand drags the diorama into the shadows with a “HsssSSSsss.” Grey high-tails it out of there and goes to school empty-handed. That night, that very creature visits Grey in his room and disappears when spotted. Grey finds the diorama on his doorstep not only intact, but improved. Next comes a series of strange gifts. When accosted, the gift giver—a young ghoul named Lavinia—warns that the “cemetery’s not safe” for “surface-dwellers.” But when the other ghouls threaten people important to Grey, Grey must brave the Kingdom of the Dead. What—and where—have Grey and his new “ghoul-friend” gotten themselves into? More macabre than spine-tingling, this fast-paced blend of humor and horror is essentially an against-the-odds friendship story. Though the quality of Farris’ watercolor art alone distinguishes it from other full-color graphic novels, her skeletal, shadowy silhouettes are wonderfully (and unforgettably) nightmarish. Bunn’s ghoul lore offers a fresh alternate post–Salem witch trials narrative. Visual cues code Grey as biracial, with a mom of color and a White dad; Marshall presents White. A sequel will follow.
A fun story with art that’ll knock readers dead. (Graphic horror. 8-12)Pub Date: July 13, 2021
ISBN: 978-0-06-289610-0
Page Count: 200
Publisher: HarperAlley
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
An insubstantial story that offers a prosocial message.
Two boys equally blessed with both talent and ego vie for supremacy in their school’s annual “creative storytelling competition.”
J is “by far the best artist in the entire fifth grade”; K has “become known as the best writer in the entire fifth grade.” Naturally, each one is determined to crush it in The Contest, and each decides an illustrated story is the way to go. The competitive boys try to undermine one another by passing along fake tips for success, each hoping to destroy his opponent’s story. K advises J to “write what you DON’T know” and to use sixth-person narration. “J’s Secrets to Drawing Really Good” are just as catastrophic and include drawing with your nondominant hand and inserting mistakes to keep readers engaged. Creative hijinks ensue. Craft and Alexander have become known on social media for the jocular trash talk they heap on each other; J and K are their fictional child avatars. As an internet bit doled out in small doses, their frenemy-ship is amusing; as a sustained story about storytelling, it’s thin on both character and plot development. Authorial interjections exhort readers to look up 75-cent vocabulary, often used in barbs directed at each other; the latter feel like in-jokes more than playful attempts to engage young readers. Kids may enjoy spotting references to popular children’s authors among the characters’ names, and budding authors and illustrators will benefit from the advice. J and K are both Black; their classmates and teachers are racially diverse.
An insubstantial story that offers a prosocial message. (Fiction. 8-12)Pub Date: May 6, 2025
ISBN: 9780316582681
Page Count: 240
Publisher: Little, Brown
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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