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MAN SQUARE

A no-frills primer aimed squarely at a socially conservative Christian readership.

A concise guide for women who want to understand their men.

According to debut author Hibbler, “men are simple,” and this guide to understanding them is too: it’s fewer than 30 pages, about half of which feature stick-figure illustrations rather than text. With no space for mincing words, Hibbler gets right down to helping women who “are still at a loss when it comes to men.” As Hibbler sees it, men have four parts analogous to the four equal sides of a square: loyalty, food, solitude, and sex. If they succeed in fulfilling those four basic requirements, Hibbler states, women will be able to satisfy the men in their lives. He does make an exception for those he describes as “useless men,” advising his female readers: “If he has no purpose for his life, he will be a deadbeat, no matter what you do.” The author states early on that “the Bible is [the] foundation” to understanding men but makes only a few references to specific biblical teachings, leaving the rationale for the rest of his advice unclear. Most of that advice is stated in vague terms without instructions for practical application. For example, on loyalty, Hibbler writes: “He needs to feel that it is automatic and natural as the relationship develops,” without offering strategies for how a woman might take action to foster that feeling. Similarly, Hibbler frequently fails to explain why his observations are specific to men. “Most men will respond to their favorite foods in a positive way,” he writes but does not say why this response might be different or more pronounced for men. What’s more, Hibbler’s views hew so closely to traditional gender norms—“men should not have a feminine side”; “God put the man ahead of the woman”—that many modern women will most likely be put off. Still, the author’s conversational tone and complete lack of pretense may appeal to conservative-leaning readers looking for a new perspective on male/female relationships.

A no-frills primer aimed squarely at a socially conservative Christian readership.

Pub Date: July 25, 2014

ISBN: 978-1496926449

Page Count: 48

Publisher: AuthorHouse

Review Posted Online: May 21, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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