An engaging and often beautiful work.
In Smith’s novel, a high school senior grapples with the fear of what his future holds while dealing with the struggles of living with a drug-addicted mother.
Here, the author of the Kirkus-starred The Magpie’s Return (2020) explores a complex story of how children suffer the consequences of their parents’ actions. Mark Hayes is a 17-year-old who’s about to start his last year of school. He and his mom, Jill, have recently escaped a dangerous man who threatened to kill them, and are staying at a farmhouse somewhere in the Midwest where Jill’s addict friend, Amy, lives. By the end of summer, Mark notes, his mom doesn’t even try to hide it from him when she shoots up anymore. At one point, Amy’s parents take legal custody of her baby after a doctor find drugs in the child’s system. At home, Mark takes care of both adults; at school, he spends his lunches talking to U.S. Army recruiters and wonders what his life will look like after graduation, as he feels trapped in an endless cycle. People know who his mother is, which sometimes puts him in dangerous situations. Smith’s story takes place over roughly a year, but there’s never a lull in the action, and his sentences break apart in unusual and unexpected places to create a constant lyrical flow: “She drives off, and in me, a drowning I hadn’t expected. Open fields beneath an open sky. My house of empty rooms.” There’s also a colorful cast of characters, from Mark’s crew of friends at school—Andy, Derrick, Jason—his crush, Kate Evans, and the many people trying to hurt or help his mother and Amy. Many figures in Mark’s life offer him hope and a chance at a better future, but in the end, it’s up to him to decide to take it.
An engaging and often beautiful work.Pub Date: Sept. 5, 2023
ISBN: 9781955062619
Page Count: 288
Publisher: Running Wild Press
Review Posted Online: Sept. 14, 2023
Kirkus Reviews Issue: Nov. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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