Transcendent joy personified in a pair of rip-roaring luchadoras.
Sisterhood leads to an adventure befitting a luchadora in Garza and Bermudez’s sublime sequel to Lucía the Luchadora (2017).
Donning her luchadora mask and silver cape, Lucía dives and soars in her backyard like a true luchadora. Her little sister, Gemma, tries to demonstrate some luchadora flair too, but the younger girl bumbles, tumbles, and SPLATS right on her face. Lucía thinks Gemma “always finds trouble.” When Gemma tears a hole in Lucía’s beloved mask, a devastated Lucía knows older sisters never win. Abuela, however, offers a solution. The trio head off to the mercado—which Lucía calls a “splendiferousmarket”—to find a luchadora mask for Gemma, one that’ll help her “finally act like a real luchadora.” Similar to its predecessor, this follow-up pops and snaps with jubilant glee. Garza’s buoyant wordplay and delightful characters also continue to shine. Equally, Bermudez’s vibrant, action-packed pictures epitomize pure zany fun. Inspired by the tale of Mil Máscaras, a legendary luchador, and the many masks available at the mercado, Lucía dreams of becoming the Girl of a Thousand Masks. Gemma, meanwhile, discovers her luchadora mask and sneaks off into the bustling mercado. Sensing trouble, Lucía follows. Together the luchadoras find a lost kitten and an opportunity to right a wrong. As always, Abu’s words ring true: “Remember, the best adventures are shared.”
Transcendent joy personified in a pair of rip-roaring luchadoras. (Picture book. 3-7)Pub Date: Oct. 9, 2018
ISBN: 978-1-57687-894-1
Page Count: 32
Publisher: POW!
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
A syrupy tribute to mothers that may please fans of the series.
Another creature is on the loose.
The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.
A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)Pub Date: March 5, 2024
ISBN: 9781728274300
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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