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THE CEMETERY YEW

Even lovers of pesky amateur sleuths and Martha’s Vineyard lore will agree it’s past time for Victoria (The Cranefly Orchid...

Bodies everywhere except where they belong—in a tidy plot.

Let’s see. One man turns up in the West Tisbury dump, another in a mortuary fridge, another heaved over the railing of the Martha’s Vineyard ferry. The only proper burial, of the young Norton girl who committed suicide ten years ago, turns out to be just as improper. When her coffin is exhumed for reburial in Wisconsin, she’s not in it, just hefty bags of sand. In fact, island gossip insists she never existed in the first place. Quicker than you can say “empty plot,” her coffin disappears, except for a back panel that nonagenarian sleuth Victoria Trumbull hides for safekeeping. And more skullduggery is afoot. Cancer-stricken Dahlia Atherton, a former foreign-service employee, is offered a cup of poisoned tea. Victoria averts the brewhaha, then listens while Dahlia explains her complicity in a gem-smuggling scheme and shifts blame to a double-crossing accomplice and the fence they both trusted. Two improbable plot twists later, the murders are solved, the gems have appeared and then vanished, and the Vineyard has all winter to prepare for another onslaught of tourists.

Even lovers of pesky amateur sleuths and Martha’s Vineyard lore will agree it’s past time for Victoria (The Cranefly Orchid Murders, 2002, etc.) to retire for good.

Pub Date: Sept. 8, 2003

ISBN: 0-312-32126-0

Page Count: 208

Publisher: Dunne/Minotaur

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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FALSE MEMORY

Koontz widens his canvas dramatically while dimming the hard brilliance common to his shorter winners:1995’s taut masterpiece, Intensity, and 1998’s moon-drenched midsummer nightmare, Seize the Night. This time the author takes up mind control, wiring his tale into the brainwashing epics The Manchurian Candidate and last spring’s film The Matrix. The laser-beam brightness of his earlier bestsellers fades, however, as he stuffs each scene with draining chitchat and extra plotting that seldom rings with novelty. Martine “Martie” Rhodes, a video-game designer, has developed a rare mental disorder: autophobia, fear of oneself. Meanwhile, her husband Dusty’s young half-brother, Skeet Caulfield, has decided to jump off the roof of a building the two men are repairing—because Skeet has seen the Angel of the next world, who has revealed that things are pretty wonderful there, and he wants to come on over. Martie’s best friend, real-estate agent Susan Jagger, is newly coping with agoraphobia, fear of the outdoors. What’s more, Susan knows she’s being visited and raped at night by her separated husband, Eric, although all her doors and windows are locked. She can’t remember these rapes, but her panties are stained with semen. So when she sets up a camcorder to record her sleeping hours, she gets a huge surprise after viewing the tape. How these mental and physical events have come about—ditto the psychiatric background of the Keanuphobe millionairess who shows up (yes! she fears Keanu Reeves)—has something to do with the ladies’ psychiatrist, Dr. Mark Ahriman, the son of a famous dead movie director whose eyes the doctor keeps in a bottle of formaldehyde and studies, in hopes of siphoning off Dad’s inspiration. Although the whole story could have been told to better effect in 300 pages, Koontz deftly sidesteps clichÇs of expression while nonetheless applying an air pump to the suspense: an MO that keeps his yearly 17-million book sales afloat.

Pub Date: Dec. 28, 1999

ISBN: 0-553-10666-X

Page Count: 640

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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MURDER MAKES SCENTS

Utter non-scents.

Die-hard Yankee candle maker Stella Wright (Murder’s No Votive Confidence, 2018) gets caught up in a trans-Atlantic murder plot.

Stella thoroughly enjoys her trip to Paris even though her mother, perfume expert Millie Wright, who’s scheduled to speak on a panel entitled “The Art of Scent Extractions” at the World Perfumery Conference, gets preempted by a murder. Sadly, once they’re back home in Nantucket, things get even weirder. Stella receives an anonymous note threatening her mom if Stella doesn’t turn over a secret formula hidden in Millie’s bag. Her mom can’t help because she’s in the hospital courtesy of an overenthusiastic attempt by Stella’s cat, Tinker, to befriend her. While trespassing on a suspicious sailboat, Stella meets U.S. Agent Sarah Hill, who warns her that well-known anarchist Rex Laruam plans to disrupt the upcoming Peace Jubilee using a stolen formula he secreted in Millie’s bag after he stabbed the agent guarding it back in Paris. Ignoring the advice of her friend Andy Southerland, a Nantucket cop, to leave detection to the professionals, Stella tries to unmask the elusive Laruam. As she spies on a bevy of unlikely suspects, the plot spirals further and further out of control: There’s a Canadian couple staying at an Airbnb run by Stella’s cousin Chris who whisper sweet but suspicious nothings in the dark, a shovel-wielding schoolmarm, a gang of old geezers who have a collective crush on Millie, a surprise 30th-birthday party planned by Stella’s beau, Peter Bailey, and an even more surprising impromptu airplane ride.

Utter non-scents.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4967-2141-9

Page Count: 272

Publisher: Kensington

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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