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KOA KAI

THE STORY OF ZACHARY BOWER AND THE CONQUEST OF THE HAWAIIAN ISLANDS

A zesty, if flawed, historical adventure that’s worth a read to witness the love that the author lavishes on his characters...

In this first novel, Pollock takes his hero from humble beginnings in Colonial America at the end of the 18th century to the Sandwich Islands, where he becomes a warrior in the service of Kamehameha the Great, the founder of the Kingdom of Hawaii. 

Zachary Bower is born in a cabin on the frontier of the British colonies, not long before the start of the Revolutionary War. After the death of his mother, he’s sent to live with his aunt and uncle in Connecticut. His uncle Israel is the captain of the Setauket, a far-ranging merchant ship. Soon, young Zachary ships off with Israel’s crew, learning the ropes while heading to Spanish California. On shore leave in San Diego, he gets left behind and impressed onto another ship that’s heading to the Sandwich Islands. Here, the real adventure begins—as if rounding Cape Horn weren’t hair-raising enough. Zachary’s new vessel, the Fair American, is captured by the island’s residents, and only he and the first mate survive. Soon, along with a seaman from their sister ship, they find themselves the captives of the great leader Kamehameha—a well-known historical figure. Zachary, however, is fictional, as is Kaleo, a young Hawaiian who becomes Zachary’s minder and mentor; the comely Pua Lani, who becomes Zachary’s common-law wife, is also a product of Pollock’s pen. As Kaleo and Zachary become close friends, the latter proves to be a fearsome warrior in Kamehameha’s campaign to unite the people of the archipelago.  The descriptions of the fighting are unbelievably savage and bloody, but finally result in sufficient victories and a peaceful interlude. Zachary becomes a father, and he’s accepted among the members of his new society (they call him “Koa Kai,” or “Sea Warrior”), and he’s also found peace within himself. The story doesn’t end there, but suffice it to say that some readers will find the final resolution to be very satisfying, while others may feel that Pollock caved to the temptation of providing a happy ending. The author, in his bio, notes that he’s been “an avid sailor for over fifty years” and his details of a ship’s rigging and maneuvers, and of sailing a vessel through horrendous weather, have the air of verisimilitude. He also fruitfully contrasts Zachary’s straight-laced Christianity with the life of the islanders. For example, Pua, at Zachary’s suggestion, simply agrees to be monogamous and live with him, but Zachary sometimes finds himself struggling with Christian guilt. The sailing scenes are truly riveting throughout, and readers will get a real feeling for the island paradise, with its mix of the idyllic and the brutal. That said, despite the author’s clear investment in this historical material, the text often suffers from idiosyncratic punctuation, as well as erroneous word choices or misspellings, such as “lien-to” instead of “lean-to,” “shuttered” instead of “shuddered,” and “windless” instead of “windlass.”

A zesty, if flawed, historical adventure that’s worth a read to witness the love that the author lavishes on his characters and their adventures. 

Pub Date: April 24, 2018

ISBN: 978-1-4808-5934-0

Page Count: 306

Publisher: Archway Publishing

Review Posted Online: March 1, 2019

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ABIGAIL

Urgent moral questions underlie a captivating mystery.

Sequestered at a boarding school during World War II, a rebellious teenager confronts secrets, lies, and danger.

Published in Hungary in 1970, and translated into English for the first time by Rix, this intricately plotted novel by Prix Femina Étranger winner Szabó (1917-2007) (Katalin Street, 2017, etc.) complicates a predictable coming-of-age tale by setting it in perilous times: War rages, patriotism incites bitterness and bigotry, and a clandestine resistance movement stealthily arises. When 14-year-old Gina is sent suddenly from her home in Budapest to an elite religious school in the provinces, she feels deeply bereft: of her beloved governess, who was forced to return to her native France; of her aunt’s delightful tea dances; of encounters with a handsome lieutenant with whom she is infatuated; and, most of all, of her father, whom she loves so deeply that she “felt the world complete only when they were together.” Protected, indulged, and self-absorbed, Gina suffers protracted (and somewhat irritating) adolescent angst. She hates the academy: Once a medieval monastery, it looms like a fortress; girls, dressed in black uniforms, their hair braided unfashionably, are forbidden to bring jewelry, scented soaps, or even toothbrushes from home. Obedience to Christian precepts and school authority is strictly enforced—and, by Gina, repeatedly flouted. She breaks rules, antagonizes her teachers and classmates, and mocks rituals and traditions, including the girls’ veneration of a statue they call Abigail, which has the uncanny power to know everything that happens at the school and offer warnings and sage advice. “All my life I have been a wild thing,” Gina reflects. “I am impatient and impulsive, and I have never learned to love people who annoy me or try to hurt me.” But when her father, visiting unexpectedly, reveals the reason he had to send her away, she vows to behave and realizes that Abigail is watching over her. Far from a supernatural being, Abigail’s real identity, Gina believes, is “someone inside these fortress walls who lives a secret life.”

Urgent moral questions underlie a captivating mystery.

Pub Date: Jan. 14, 2020

ISBN: 978-1-68137-403-1

Page Count: 360

Publisher: New York Review Books

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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A GOOD HARD LOOK

Flannery O’Connor fans will be drawn to this fictionalized version of her later years as a strong-willed, deeply lonely genius.

In the early 1960s, when wealthy New Yorker Melvin Whiteson moves to Milledgeville to marry his sweetheart Cookie Himmel, Flannery is living with her mother on the family farm, struggling to complete her second novel and suffering increasingly from the lupus that eventually kills her. A lifelong poultry aficionado, Flannery is also raising peacocks. In the novel’s striking first scene, Cookie and Melvin are awakened on the eve of their wedding by the peacocks’ din, a foreshadowing of what’s to happen to the couple. They love each other but do not understand each other. Emotionally fragile Cookie has considered Flannery her nemesis ever since she read Wise Blood and felt exposed in the worst light as the character Sabbath Lily. A cutting remark Flannery made at Cookie’s high-school awards ceremony so humiliated the girl that she left town as soon as she graduated. Sporting her new rich and handsome husband, Cookie has returned desperate to prove to Milledgeville what a glamorous success she has become and throws herself into community activities. Sophisticated but aimless Melvin finds himself at loose ends in the small town. Soon he finds himself drawn to Flannery in a platonic but intense relationship he hides from Cookie. When Cookie has a baby, she and Melvin begin to re-establish their connection, but ultimately Melvin cannot stay away from Flannery. Meanwhile, Cookie has hired the deputy sheriff’s wife Lona Waters, another lonely outsider, to make curtains for their new impressive home. Inevitably these unhappy lives—Lona has begun a dangerous relationship of her own—wind together until violent, senseless deaths occur, propelling characters into dark nights of the soul but also the possibility of Flannery O’Connor–like grace. The tone and careful use of language certainly recalls O’Connor, but Napolitano (Within Arm’s Reach, 2004) takes too many shortcuts around her plot and characters to bring the novel to life.

 

Pub Date: July 11, 2011

ISBN: 978-1-59420-292-6

Page Count: 336

Publisher: Penguin Press

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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