If Ingmar Bergman’s films are too cheerful for you, this is just the antidote.
Norwegian novelist Solstad delivers a grim exercise in modern literary existentialism.
Bjørn Hansen is 50 as this novel opens. He had left Oslo years before for the quiet country town of Kongsberg, the hometown of his lover, Turid Lammers, for whom he abandoned his wife and child. Now, having talked his way into the job of town treasurer by virtue of a college degree, he has left Turid, too. “This was how Bjørn Hansen’s existence had shaped up. This was his life. At Kongsberg. With Turid Lammers, this woman he had to live with because he feared he would otherwise regret everything,” writes Solstad. Turid’s sin? As director of the local theater company, she allowed Bjørn to deliver a disastrous performance in a production of Henrik Ibsen’s The Wild Duck, a mirthless story perfectly at home in Bjørn’s sprawling library of similarly dour books: Kafka, Kierkegaard, Cela. Of The Family of Pascual Duarte, the brooding masterwork by the last writer, Bjørn intones, “Was it sombre enough? I mean, I liked the book, but did it go deeply enough, I mean deeply enough into my own existence?” Bjørn empties out his library when his forgotten son, Peter, bobs up to attend optometry school; Bjørn lets Peter stay in his home but steadily regrets the decision when he realizes Peter has no direction in life and is roundly disliked by his classmates. “Youths like Peter Korpi Hansen were ten a penny,” Bjørn grumbles. “All of them radiated the same intoxicating nonchalance, self-indulgence and idleness.” Like the similarly bookish Peter Kien of Elias Canetti’s Auto-da-Fé, Bjørn, too, is an ostensibly influential man without purpose or power. Steered into an insurance scam by his drug-addicted doctor when he announces his intention to “actualise his No, his great Negation,” Bjørn surrenders his will as if glad to be rid of it. The philosophical implications are many, though it’s a bit of a slog through an essentially actionless plot to get at them.
If Ingmar Bergman’s films are too cheerful for you, this is just the antidote.Pub Date: June 1, 2021
ISBN: 978-0-8112-2826-8
Page Count: 224
Publisher: New Directions
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
IN THE NEWS
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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