A radical reimagining and avant-garde interpretation of Shakespeare.
Ranging from grim and gritty to starry-eyed and futuristic, these 15 stories retell the Bard’s works as they’ve rarely been presented before.
As noted by editor Adler, these tales—by a range of noted YA authors including Adler, Amy Rose Capetta, Cory McCarthy, Kiersten White, Tochi Onyebuchi, Samantha Mabry, and others—are designed to subvert the lack of diversity in the canon. While the plots mostly adhere to predetermined arcs, the characters and settings diverge wildly, with most protagonists recast as LGBTQ+ and people of color. Some authors play with format—retelling Romeo and Juliet through text messages—while others blend genres—Hamlet leans on Bram Stoker’s Dracula, and Much Ado About Nothing goes SF. While the major comedies and tragedies appear, lesser-known and less-performed works like Coriolanus and problematic plays like The Taming of the Shrew and The Merchant of Venice—which can be uncomfortable to modern audiences—also get a shot at the spotlight. Although all are engaging, some of the stories feel incomplete; with the first acts and finales left unexplained, readers must interpolate from the source material; this volume will be best appreciated alongside the originals. Still, many of the comedies abound with energy and enthusiasm and the tragedies with current-day woes. These tales aim to and succeed at introducing brave new worlds and creating spaces for those previously omitted, maligned, or silenced in Shakespeare’s works.
A radical reimagining and avant-garde interpretation of Shakespeare. (about the authors, about Shakespeare) (Anthology. 14-18)Pub Date: March 16, 2021
ISBN: 978-1-250-75386-1
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: Jan. 11, 2021
Kirkus Reviews Issue: Feb. 1, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
