A subtle book that brings to bear all its author’s prodigious skill. A must-read.
A mother and her two teenage daughters relocate to a remote cottage by the sea for a fresh start only to discover that what they’ve brought with them may be worse than what they left behind.
Sisters September and July are unusually close. Less than a year apart in age, the girls share a language of preferences, games, sometimes even thoughts that makes their mother, Sheela, feel excluded and that causes their teachers to categorize them as “isolated, uninterested, conjoined, young for their age, sometimes moved to great cruelty.” The children’s father, Peter, is dead, drowned in a hotel pool while on vacation, but the memory of his capricious cruelty haunts Sheela and taints her enjoyment of her oldest daughter, September, who strongly resembles him. Nevertheless, the family makes a life together in Oxford, where their mother writes and illustrates children’s books featuring the girls’ fictional adventures. Then, something dreadful happens, something so awful that July can’t remember what exactly it was, and they flee to Settle House, the cottage where their father was conceived and September was born, high on the North York Moors by the sea. Once there, the girls are left on their own while Sheela locks herself in her room, emerging only sometimes at night to cook meals, which she leaves for them to eat by themselves. Isolated by the lonely moors that surround them and by their mother’s near abandonment, which the girls take as anger over what happened in Oxford, September and July’s already claustrophobic relationship becomes something verging on a possession as July’s identity is slowly sublimated under the more dominant personality of her sister and the smothering nature of the house itself. When the instigating event that caused them to leave Oxford finally comes to light, it does so with an incandescence that reilluminates everything that has come before; what the reader and July herself should have seen all along, if only we had known how to look. Johnson—whose first novel, Everything Under (2018), made her the youngest author ever shortlisted for the Man Booker Prize—brings her nuanced sense of menace and intimate understanding of the perils of loving too much to this latest entry in her developing canon of dark places where the unspeakable speaks and speaks.
A subtle book that brings to bear all its author’s prodigious skill. A must-read.Pub Date: Aug. 25, 2020
ISBN: 978-0-593-18895-8
Page Count: 224
Publisher: Riverhead
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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