A sharp wake-up call to heed the new Depression and to recognize the humanity of those hit hardest.
An open-hearted American travelogue through the new underclass.
The raw title comes from a piece of graffiti Maharidge saw at a boarded-up gas station in the California desert. He then drove across the country to see if people could relate to the sentiment. Sadly yet unsurprisingly, many could. The Pulitzer Prize–winning author is here to sound a warning: The pandemic is leaving a trail of widespread poverty, homelessness, opioid abuse, and other maladies in its wake. Along his journey, the author visited good Samaritans running food banks and homeless encampments. He talked to professors and scavengers. Some of the new underclass still have their fancy cars; more don’t have any car at all. Maharidge bears witness, but he does more than that. He brings to bear his experience as a former newspaper reporter covering the down-and-out. More important still, he meets everyone where they live. Indeed, the book is a barely restrained demand for readers to pay attention to the have-nots lest you wake up tomorrow and find yourself among them. “We with white-collar employment make the assumption that a majority of Americans are exactly like us because most of us never interact with the working class,” writes the author. A student of the Great Depression, Maharidge understands the similarities with current times, but he also sees the differences: During the Depression, the homeless at least had the admittedly squalid Hooverville camps. Today, state and city laws are designed to make them get up and go…where? This is a book ripped from the headlines, from Black Lives Matter to recently thriving downtowns stripped of office workers and service workers. Those catching the brunt of it all, those with the steepest hills to climb, may have been fucked at birth. But for everyone, as Maharidge observes, the feeling of safety is folly.
A sharp wake-up call to heed the new Depression and to recognize the humanity of those hit hardest.Pub Date: Jan. 12, 2021
ISBN: 978-1-951213-22-0
Page Count: 160
Publisher: Unnamed Press
Review Posted Online: Oct. 6, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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