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PRISONER OF WOODSTOCK

The unbilled drummer in the supergroup Crosby, Stills, Nash & Young tells an unsatisfying and not always credible story of drugs and sex (and a little rock 'n' roll). Taylor, a millionaire at age 21 who spiraled down and down, writes his chapters in flashback scenes from two different vantage points: a hospital, where he undergoes a liver-transplant operation (funded in part by a benefit concert given by his musician buddies) and addiction-treatment sessions. But neither the intensive-care unit nor group therapy justifies Taylor's extensive and bad re- creations of dialogue, like the speech about the '60s that he delivers while in the hospital: ``I swallowed the whole `dawn of a new day, it's a new world' bullshit hook, line and sinker.'' His story includes some luridly interesting tales: nearly having an orgy with Jimi Hendrix (Taylor turned tail and ran when Hendrix greeted him at the door in the nude); wife-swapping with the Rolling Stones' Bill Wyman; and drug excesses with his band mates, with teenagers he met at Woodstock, and with a hitchhiker while driving 140 mph. However, he skimps on describing his musical career and his current life. Taylor now works as a substance-abuse counselor in California and has reconstructed his life with a new wife who didn't shrink from ``an ex-junkie, a thrice-divorced, has- been musician with a police record, no high school diploma and one grandchild.'' Former band mate David Crosby, in an introduction, sees Taylor as someone caught by all the ``peripheral traps'' of the music business. A worthy cautionary tale, however, doesn't necessarily make a good book. (16 pages of b&w photos, not seen)

Pub Date: July 15, 1994

ISBN: 1-56025-072-0

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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