An engaging, if unchallenging, account of an author whose route into—and out of—literary celebrity makes him seem, for better and worse, a man of his time. From the first short stories Caldwell (190387) struggled to get into print, his works drew on the observations he made of poverty in the rural South and the lessons in social consciousness he received from his father, a preacher. Caldwell's first wife, Helen, and their children shared his life of grinding poverty while enduring his volatile temperament. He honed his craft, helped by Helen's editing, but even his best-known work, Tobacco Road, generated poor initial sales—in Miller's estimation because the publisher, Scribner's, marketed the sexually explicit book so timidly. When playwright Jack Kirkland turned Tobacco Road into ``the bawdiest Broadway hit in history,'' Caldwell gained a solid income and practice at arguing for artistic freedom as local officials across the nation tried to close down touring-company productions. As he adapted to a more luxurious life, he also found himself a more glamorous wife: photographer Margaret Bourke-White, with whom he collaborated on studies of southern sharecropping and of Russia during the German invasion—an arrangement that collapsed as Caldwell learned he came second to her art just as Helen and the children had come second to his. Miller (who has a Ph.D. in History of American Civilization from Harvard) tends to avoid probing such fissures in his subject's actions and writings, particularly during Caldwell's decline from celebrity, finally giving this account the feel of a life observed with only intermittent intensity. For example, when discussing Caldwell's mid-1950s output—stories for ``mediocre (often X-rated) journals'' and a ``melodramatic, mildly pornographic'' novel whose sales were enhanced by its spicy cover—he concludes without a trace of irony that Caldwell was ``earning a living from his craft.'' Miller reveals, but never really explores, the complexities and inconsistencies of a man who wrote both first-rate fiction and disposable prose.
Pub Date: Jan. 17, 1995
ISBN: 0-679-42931-X
Page Count: 448
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1994
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience...
This compelling memoir of a German girl’s bitter, frightening life reveals the horrors visited upon an average family caught between two of the most cruel dictators in history.
Amidst the copious histories of Hitler and Stalin, historians have often neglected the horrific tales of innocent girls like Schulze, who early in World War II survived Nazi occupation, then was forced to hide in a secret attic for months at war’s end to escape sexual attacks from the invading rampages of the Russians. The Russian soldiers pillaged her tiny village of Doelitz, where women scrubbed their faces with ashes and dirt to make themselves unappealing to the Red Army’s serial rapists. With professional writer Collier’s help, Schulze tells a ground-level story that is at once haunting and shocking in its narration of ordinary, peaceful lives shattered forever by war. The small, poignant touches are riveting–the family’s favorite horse being dragged away to haul artillery; their argument about whether to follow Nazi orders to display Hitler’s portrait. Her inspiring story concludes with the long, harrowing struggle to escape to West Germany, followed by a months-long wait for a berth on a ship bound for America. Her first tastes of ice cream and pineapple aboard the ship are a fitting climax to a tale of never-ending stress and fear–and ultimately, redemption.
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience of all ages.Pub Date: Oct. 3, 2005
ISBN: 0-58348-072-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A daunting but worthwhile journey through the material and divine realms of our universe.
An intriguing if sometimes ponderous examination of man's place in the universe.
Bartow creates a systematic philosophic framework for integrating concepts from diverse disciplines, such as astrology, psychology, metaphysics, theology, eastern and western mysticism and quantum physics. The author uses complex–and often unintelligible–diagrams to create a visual representation of the corporeal and spiritual universe, building layers of complexity that illustrate the dynamic interaction of mind, matter, energy and spirituality. He divides man’s perception of the universe into objective and subjective categories with distinctive subcategories, using piano keys as the primary metaphor–the black keys represent the objective planes, embodied in the concrete laws of science, and the white keys represent the subjective interior planes. The author makes frequent use of the philosophies from such ancient traditions as the Kabbalah, Buddhism, the teachings of Don Juan and Tibetan thought. The massive scope of Bartow’s vision eventually becomes overwhelming, and the esoteric nature of the study will deter casual readers. Ultimately, however, the text will prove thought-provoking and rewarding for the diligent.
A daunting but worthwhile journey through the material and divine realms of our universe.Pub Date: N/A
ISBN: 0-9760863-0-1
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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