by Dan Fesperman ‧ RELEASE DATE: Aug. 23, 2012
Has its limitations, but in re-sparking interest in classic spy fiction, it attains maximum impact.
In 1984, young Washington Post writer Bill Cage ignited a miniscandal by reporting that spy novelist Edwin Lemaster—"the American John le Carré"—had considered working as a Soviet double agent when he was with the CIA. More than 25 years later, Cage follows up his story for Vanity Fair—duly warned by his father, a former diplomat who knew Lemaster, to watch his back.
The distinguishing feature of Fesperman's nostalgia-soaked novel is that its clues and secret instructions take the form of quoted passages from classic spy novels by le Carré, Eric Ambler, Len Deighton, Charles McCarry, etc. Like his father, Warfield, Cage is a spy buff who can quote from those books (and Lemaster's) verbatim. He secures the magazine assignment mainly as an excuse to leave his dreary PR job and return to his childhood haunts in Vienna, Prague, Berlin and Budapest. But, stoked by anonymous tips, odd coincidences and revelations about his secretive old man, he soon becomes obsessed over solving the mysteries of Lemaster's past. The romantic stakes are raised when Bill's boyhood girlfriend, Litzi, turns up in Vienna; feelings of nostalgia are disrupted when a player in this espionage drama gets shot in the face, KGB-style. Fans of spy novels will enjoy Fesperman's affectionate homage. As literate and well-executed as this book is, however, it lacks the deeper dimensions that would make it more than a clever generic exercise. The father-son business, also involving Cage's child, David, is affecting, but held against the high standards of le Carré's A Perfect Spy, it is lightweight.
Has its limitations, but in re-sparking interest in classic spy fiction, it attains maximum impact.Pub Date: Aug. 23, 2012
ISBN: 978-0-307-70013-1
Page Count: 368
Publisher: Knopf
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by Agatha Christie ‧ RELEASE DATE: Feb. 21, 1939
This ran in the S.E.P. and resulted in more demands for the story in book form than ever recorded. Well, here it is and it is a honey. Imagine ten people, not knowing each other, not knowing why they were invited on a certain island house-party, not knowing their hosts. Then imagine them dead, one by one, until none remained alive, nor any clue to the murderer. Grand suspense, a unique trick, expertly handled.
Pub Date: Feb. 21, 1939
ISBN: 0062073478
Page Count: 272
Publisher: Dodd, Mead
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Feb. 1, 1939
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