A good-hearted road trip stalls on thin secondary characterizations.
Ever since the accident that killed her mother and two sisters five years ago, Coyote Sunrise, now 12, and her father, Rodeo, have lived on the road in a converted yellow school bus and followed their whims.
The only place they will not go is back to their hometown…until Coyote’s grandma tells her the park where she, her mother, and her sisters buried a memory box is slated for destruction in just a few days. Now she must figure out how to steer her father back. In true road-trip–novel fashion, Coyote manages with the help of strangers: Lester, a jilted musician; Salvador and his mother, fleeing domestic abuse; and teenage Val, kicked out because she’s gay. Gemeinhart crafts an enormously appealing protagonist in Coyote, who has mostly adapted to her unusual life but whose yearning for stability pokes out in small ways. Her narrative voice is rich and memorable, her withering distaste for Wild Watermelon slushes just one of many personality-defining quirks. But if Coyote is a living, breathing protagonist, the secondary cast is less so. That Coyote and her father are white makes Coyote’s enlistment of Lester, an endlessly amiable black man, as a second driver an uncomfortable choice—a literal plot device, in fact. Latinx Salvador is more fully drawn, perhaps because he and Coyote interact as peers, but his mother is not. Like Lester, she and Val (who is white) fade into the background till needed.
A good-hearted road trip stalls on thin secondary characterizations. (Fiction. 8-12)Pub Date: Jan. 8, 2019
ISBN: 978-1-250-19670-5
Page Count: 352
Publisher: Henry Holt
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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