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LEARNING AND TEACHING CREATIVITY

YOU CAN ONLY IMAGINE...

A lively and upbeat overview of what creativity is and how it can be strengthened.

Hunter presents a how-to approach to fostering and encouraging creativity.

The author, a playwright, columnist, and longtime teacher of creative writing at the college level, presents in these pages a sweeping look at the history and nature of creativity itself, both as a neurological phenomenon and as a response to living in a complex world. Drawing on his extensive experience working with students of all kinds, Hunter outlines several approaches to conceiving and working with different kinds of imagination, backed throughout by the author’s efficient presentation of modern neurological science. “Paying conscious attention is how we think, how we learn, and how we observe,” he writes. “It is how the brain shapes the synaptic connection.” Whether discussing the mechanisms of paying attention, the vagaries of remembering things, or the effectiveness of brainstorming, Hunter uses a combination of anecdotes, quotations, and carefully chosen illustrations to reinforce his point that the human brain is in a constant state of imaginative activity. “We live in a river of experiences, sensations, thoughts, sounds, memories, and vision that roll through the brain from moment to moment,” he writes. These insights are fleshed out with examples taken from the lives and writings of some of history’s celebrated creative people, familiar figures like Einstein and da Vinci. The author also includes people from his own life, as when he recalls that his brother used to say any meeting that lasts longer than 30 minutes either has the wrong people or the wrong information.

The book is an inviting exercise in demystifying the most enigmatic elements of the creative process, and its greatest strengths are Hunter’s vivid prose and straightforward explanations. He calls procrastination “a form of metacognition that usually works to our detriment,” for instance, and advocates regular mental cleanses to aid creativity. “We all generate garbage – literal and figurative,” he writes. “Take your garbage out – write or paint it out of your mind.” He frequently mentions something called H-IQ, a teaching tool of his own invention that may help students to better understand and practice creativity, but the main elements of his text stand independent of any outside programs. The author’s insistence that creativity is a mental muscle that can be developed through steady work is energizing: “Imagination is a daily tool,” he insists. “We use imagination constantly, not just in playful moments of daydreams or wistful thinking.” The book brings a wealth of fresh and thought-provoking perspectives to the workings of the human mind, with reassuring reminders that those workings aren’t always clear. (“Sometimes, we are the last to know what our brains are thinking.”) A key aspect of Hunter’s project—firmly putting his readers in the driver’s seats of their own perceptions—becomes especially pointed in his discussion of robotics and AI (as when he argues that before we can “humanize” AI, we must further humanize ourselves by practicing tolerance, kindness, and compassion), but it’s present throughout the book.

A lively and upbeat overview of what creativity is and how it can be strengthened.

Pub Date: Oct. 16, 2023

ISBN: 9781737800712

Page Count: 296

Publisher: N/A

Review Posted Online: March 28, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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