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VINTAGE CONTEMPORARIES

This atmospheric first novel is an ode to friendship, creativity, and an era now gone.

A bittersweet love letter to 1990s New York.

Anyone who lived through the final decade of the last century in New York City will instantly recognize the world evoked by Kois, a longtime editor, in his debut novel. That goes double for young people raised in suburbs across the U.S. who moved to the city to work in publishing or the arts or for nonprofits. To be sure, that is a very specific readership slice. But those who fall into it may find themselves remembering—fondly or not, depending—their early 20s in a city that could be alienating, frightening, and diminishing but also intoxicatingly exciting. Kois focuses on the friendship between two young women, one a conscientious Midwesterner working in book publishing and subletting a sketchy apartment with a college friend, the other a free spirit who conceives of site-specific works around the city and lives in a squat. For unclear reasons, Kois has named both characters Emily. “If we were characters in a story,” one says to the other during an early encounter, “it would be pretty confusing that we were both named Emily.” Kois skirts confusion, to some degree, by identifying one Emily (the publishing one, who is the novel’s main character) as Em through much of the book. The somewhat nonlinear plot tracks Em’s maturation from a literary-agency assistant hanging out downtown in the early '90s to an established book editor raising a young daughter with her lawyer husband all the way uptown in the mid-2000s. Em’s rocky yet formative early friendship with Emily eventually peters out only to fire up again years later and again prompt change and growth. What’s best about Kois’ work here is not his novel’s low-stakes, episodic plot but rather his eye for detail and penchant for humorously trenchant descriptions: Em notes that Emily is wearing leather pants “that Em would never have been able to pull off, even if she could have pulled them on.” Such asides are amusing, but what does the Emilys’ story mean at a deeper level? It's hard to say, though this line, near the end, offers resonance: “Maybe we’re all frauds at twenty-five. But in our fraudulent selves we see the seeds of the artists we might become, if we can overcome our worst tendencies.” In the book’s final line, Em tells her daughter, “I’m always watching.” This keenly observed if imperfect book makes clear that Kois is, too.

This atmospheric first novel is an ode to friendship, creativity, and an era now gone.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-316-241-9

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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