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AN AGREEMENT WE MADE

An involving story of hidden undercurrents and personal growth.

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In this novel, a stay-at-home dad reels at revelations of secrets and lies when his wife dies abruptly.

A couple of decades ago, James Bell volunteered to be a stay-at-home dad while his wife, Tina, pursued her high-earning career in medical device sales. Living in a pricey Portland, Oregon, suburb, they now have three kids. Although he claims he doesn’t feel stuck, James is lonely and resents Tina’s devotion to work, her frequent business travel, and her increasing absence from family life. Tina’s sudden death from a heart attack yields shocking truths. In the last year and a half, she resigned from her job, withdrew every cent from the family’s financial assets, and stopped all payments. Now flat broke, his house and possessions foreclosed on, James must quickly reinvent his life. He reluctantly moves back to Shoreline, Oregon, where he grew up, turning his skills as a construction project manager toward his divorced parents’ rival B&Bs and renovating a dilapidated family house. Meanwhile, James uncovers not only Tina’s secrets and the unexpected reasons behind her actions, but many other hidden truths among his family and friends—one of which leads to a dangerous confrontation. In his fifth novel, Kolbet has an intriguing hook in narrator James since stay-at-home fathers are still rare despite some changing social attitudes. While James can sound whiny in the beginning, he’s resilient in adapting to all the shocks he receives and is willing to ask himself hard questions about why people hid themselves from him. His perspective is balanced by transcripts from Tina’s online life-coaching sessions that reveal her pains, vulnerabilities, and plans. While generally well plotted, the novel’s turn toward a thriller-style ending seems inauthentic.

An involving story of hidden undercurrents and personal growth.

Pub Date: June 2, 2021

ISBN: 978-0-578-86978-0

Page Count: 338

Publisher: Self

Review Posted Online: April 27, 2021

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THE THINGS WE NEVER SAY

Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.

A diverting midlife story plucks at the secrets good people carry to the grave.

As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.

Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.

Pub Date: May 5, 2026

ISBN: 9798217154746

Page Count: 224

Publisher: Random House

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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