An unorthodox travelogue—uneven in places but packed with illuminating, gritty detail.
An American journalist’s intrepid adventure on the legendary Nile.
Tired of piecemeal journalism work from a “fast-shrinking roster of newspapers and magazines,” Morrison empowered himself by taking a perilous 4,000-mile journey from Lake Victoria to Rosetta, Egypt, by various means of transportation. The trip was broken up over the course of six months because of visa restrictions between warring north and south Sudan. At first the author was to be accompanied by his best friend from North Carolina, Schon, who joined him in Kampala, Uganda, and helped secure the building of their paddle boat. They finally got going from Jinja after weeks of idleness. By the time they reached Juba, Schon was out of vacation time and had to return home. Morrison resumed his travels alone, jumping from one political hotspot to another thanks to the kindness of strangers, such as a motley assortment of Western aid workers and good Samaritans on a humanitarian barge, where he learned about the ongoing tribal travails between the cattle-herding Nuer and Dinka peoples. Through the swamps of the Sudd he reached oil-rich Malakal, riven by gunmen and malarial microbes, but he was confounded by visa restrictions and flew back to Cairo. Months later, finding himself again marooned in rainy Malakal, “without luck and without connection,” he cobbled together enough transports to reach Kosti and then Khartoum, where the White Nile merges magnificently with the Blue Nile. The trip to the engineering marvel of the Aswan High Dam forms the narrative climax, but the last stint into upper Egypt is rather skimpy.
An unorthodox travelogue—uneven in places but packed with illuminating, gritty detail.Pub Date: Aug. 16, 2010
ISBN: 978-0-670-02198-7
Page Count: 320
Publisher: Viking
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: May 1, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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