The best biography yet on the self-described ``second man in the Reich.'' Albert Speer has long occupied a singular niche in history: that of the ``good Nazi,'' a decent and civilized man whose first love was architecture and who wished nothing more than to rebuild Germany from the misery of WW I and the worldwide depression of the 1930s. He skillfully cultivated this image until his death in 1981. Speer willingly conceded a general responsibility for his role in the Reich, and even admitted in the '70s that he had some inkling of what was happening to the Jews, but he never admitted personal responsibility for the Holocaust or the war. Naval historian van der Vat begins with a vexing question: If Speer was Hitler's right-hand man, how could he possibly claim ignorance of the genocide that was (in the words of the author) ``the driving force'' of the regime? Considering Speer's responsibilities heading the ministry of armaments during the war—one highly dependent on slave labor—his claims of ignorance are hard to believe. Yet many did believe him. Biographer Gitta Sereny, in Albert Speer: His Battle with Truth (1995), seems to accept his remorse as genuine, and she finds her subject sympathetic. No less an authority than Simon Wiesenthal also believed Speer. The highly respected German biographer of Hitler, Joachim Fest, and the social psychologist Erich Fromm concurred. Van der Vat is, thankfully, immune to Speer's charms, even after having interviewed the Nazi in 1976. Beginning with a serious study of Speer as architect, van der Vat proceeds to examine his role as minister of armaments. In that capacity, Speer was personaly responsible for the evacuation of 75,000 German Jews as forced labor. Also important is that Speer now emerges as partially responsible—along with Goebbels—for the ``spectacles'' of the Reich. Writing with irony and intelligence, van der Vat forces us to confront Speer anew. (22 b&w photos, not seen)
Pub Date: Oct. 21, 1997
ISBN: 0-395-65243-X
Page Count: 416
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
BOOK REVIEW
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all...
Science writer Ackerman (Ah-Choo!: The Uncommon Life of Your Common Cold, 2010, etc.) looks at the new science surrounding avian intelligence.
The takeaway: calling someone a birdbrain is a compliment. And in any event, as Ackerman observes early on, “intelligence is a slippery concept, even in our own species, tricky to define and tricky to measure.” Is a bird that uses a rock to break open a clamshell the mental equivalent of a tool-using primate? Perhaps that’s the wrong question, for birds are so unlike humans that “it’s difficult for us to fully appreciate their mental capabilities,” given that they’re really just small, feathered dinosaurs who inhabit a wholly different world from our once-arboreal and now terrestrial one. Crows and other corvids have gotten all the good publicity related to bird intelligence in recent years, but Ackerman, who does allow that some birds are brighter than others, points favorably to the much-despised pigeon as an animal that “can remember hundreds of different objects for long periods of time, discriminate between different painting styles, and figure out where it’s going, even when displaced from familiar territory by hundreds of miles.” Not bad for a critter best known for bespattering statues in public parks. Ackerman travels far afield to places such as Barbados and New Caledonia to study such matters as memory, communication, and decision-making, the last largely based on visual cues—though, as she notes, birds also draw ably on other senses, including smell, which in turn opens up insight onto “a weird evolutionary paradox that scientists have puzzled over for more than a decade”—a matter of the geometry of, yes, the bird brain.
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all their diversity will want to read this one.Pub Date: April 12, 2016
ISBN: 978-1-59420-521-7
Page Count: 336
Publisher: Penguin Press
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
You’ll laugh, you’ll cry, often both at once. Everyone should read this extraordinary book.
The co-founder of The Toast and Slate advice columnist demonstrates his impressive range in this new collection.
In a delightful hybrid of a book—part memoir, part collection of personal essays, part extended riff on pop culture—Ortberg (The Merry Spinster: Tales of Everyday Horror, 2018, etc.) blends genres with expert facility. The author’s many fans will instantly recognize his signature style with the title of the first chapter: “When You Were Younger and You Got Home Early and You Were the First One Home and No One Else Was Out on the Street, Did You Ever Worry That the Rapture Had Happened Without You? I Did.” Those long sentences and goofy yet sharp sense of humor thread together Ortberg’s playful takes on pop culture as he explores everything from House Hunters to Golden Girls to Lord Byron, Lacan, and Rilke. But what makes these wide-ranging essays work as a coherent collection are the author’s poignant reflections on faith and gender. Since publishing his last book, Ortberg has come out as trans, and he offers breathtaking accounts of his process of coming to terms with his faith and his evolving relationships with the women in his life. The chapter about coming out to his mother, framed as a version of the biblical story of Jacob and Esau, is just as touching as a brief miniplay entitled, “The Matriarchs of Avonlea Begrudgingly Accept Your Transition.” Throughout, Ortberg’s writing is vulnerable but confident, specific but never narrow, literal and lyrical. The author is refreshingly unafraid of his own uncertainty, but he’s always definitive where it counts: “Everyone will be reconciled through peace and pleasure who can possibly stand it. If you don’t squeeze through the door at first, just wait patiently for Heaven to grind you into a shape that fits.”
You’ll laugh, you’ll cry, often both at once. Everyone should read this extraordinary book.Pub Date: Feb. 11, 2020
ISBN: 978-1-982105-21-1
Page Count: 256
Publisher: Atria
Review Posted Online: Oct. 18, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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