Science (fiction) at the end of the world done right.
In the wake of one apocalypse, can humans and Partials, cloned supersoldiers, live together, or will the world end again?
Kira Walker found a cure for the RM plague. The Partials think her DNA might hold the cure for their “expiration date,” the genetic trait that shuts their bodies down when they turn 20. The Partials held the last remnant of humanity hostage until Kira turned herself in for study (Fragments, 2013); when her biopsies yield no answers, she sets off to find unaligned Partials in hopes of finding a solution to the expiration date herself. Meanwhile, Samm, her Partial boyfriend, makes a startling discovery halfway across the country, and he sets out to find Kira and, he hopes, save both races. However, a splinter group of humans plans to use a nuclear warhead to destroy the Partials. And two very different genetically modified scientists are stalking the survivors; one shaped like a monster is warning everyone, and another shaped like a man is intent on harvesting everyone to create a perfect future. Wells concludes his post-apocalyptic, action-packed trilogy with a literal bang and a lot of blood. Believable characters face tough moral choices, and though the end is tidy, the twists and treachery that get readers there are all the fun. It’s enjoyable alone but best read after the first two.
Science (fiction) at the end of the world done right. (Science fiction. 14 & up)Pub Date: March 11, 2014
ISBN: 978-0-06-207110-1
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 6, 2013
Kirkus Reviews Issue: Dec. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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