Plot holes may mar the story a bit, but there’s plenty to dig anyway.
Morris strikes out on his own in this story about an anthropomorphic, iconoclast mole.
Smaller than the rest and clad in a dapper suit rather than miners’ gear, Morris Mole’s suggestion falls on deaf ears when he voices an idea to improve his fellow moles’ lot. While his brothers’ focus is on digging ever deeper underground to find scarce food, Morris Mole decides to tunnel up through the earth. “I may be small, but I can do big things,” he tells himself as he digs deep within himself to find courage. When he emerges aboveground he finds a wonderland of not only food, but bird song, flowers, and friendly passers-by. An encounter with a fox almost dooms Morris, but then he (rather implausibly) saves the fox from a wolf, who, for some odd reason, just lets him be. This plot twist seems rather forced and lacking in logic, but the grateful fox then rallies others to collect a veritable feast for Morris Mole to bring back to his underground family. Yaccarino’s digital illustrations are bold and graphic, and they do an excellent job of contrasting the under- and aboveground worlds that Morris Mole traverses in his adventure of individuality and community.
Plot holes may mar the story a bit, but there’s plenty to dig anyway. (Picture book. 4-7)Pub Date: May 2, 2017
ISBN: 978-0-06-241107-5
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and...
Thunder Boy Smith Jr. hates his name.
The Native American boy is named after his father, whose nickname is Big Thunder. Thunder Boy Jr. says his nickname, Little Thunder, makes him "sound like a burp or a fart." Little Thunder loves his dad, but he longs for a name that celebrates something special about him alone. He muses, “I love playing in the dirt, so maybe my name should be Mud in His Ears.…I love powwow dancing. I’m a grass dancer. So maybe my name should be Drums, Drums, and More Drums!” Little Thunder wonders how he can express these feelings to his towering father. However, he need not worry. Big Thunder knows that the time has come for his son to receive a new name, one as vibrant as his blossoming personality. Morales’ animated mixed-media illustrations, reminiscent of her Pura Belpré Award–winning work in Niño Wrestles the World (2013), masterfully use color and perspective to help readers see the world from Little Thunder’s point of view. His admiration of his dad is manifest in depictions of Big Thunder as a gentle giant of a man. The otherwise-muted palette bursts with color as Thunder Boy Jr. proudly enumerates the unique qualities and experiences that could inspire his new name.
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and son. (Picture book. 4-7)Pub Date: May 10, 2016
ISBN: 978-0-316-01372-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
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