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PICCOLO

A love letter to Italy at its best and a snazzy charmer of a book through and through.

Get ready to embark on an enchanting trip through Bella Città (Beautiful City).

The splendors of Italy are on full display as dapper shrew Piccolo decides to enjoy a day dedicated to visiting his favorite places. An initial trip to Miss Dolce’s Gelateria is interrupted, however, when he hears cries for help from his vulpine pal, Mr. Rosso. The fox needs to move his painting to the museum, and since the institution is on Piccolo’s list of places to visit, he’s more than happy to assist. What follows is a series of sequences in which Piccolo aids friends and neighbors, visiting a fountain, the ancient ruins, a theater, and a garden along the way. A more fervent picture-book tribute to Italy may not exist. Yaccarino’s bold artwork makes excellent use of texture and shading; small joys abound, too, as in the clever references to famous artworks found in the book’s art museum (note The Vitruvian Man depicted as an octopus). Italian words appear throughout; translations are included at the book’s end, though some might take issue with gelato being equated with ice cream, as the two are made differently. Even so, this paean to Italian lands, culture, and food is a perfect read for anyone planning a trip there or for those who simply wish to read their children a tale soaked in the sights and sounds of the country.

A love letter to Italy at its best and a snazzy charmer of a book through and through. (Picture book. 3-7)

Pub Date: Sept. 30, 2025

ISBN: 9780316574563

Page Count: 40

Publisher: Christy Ottaviano Books

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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