Yaccarino (Oswald, p. 670, etc.) is a champion of the tomfool and he is in fine form in this little piece of ridiculousness that concerns a young boy, Sammy, who can’t stomach lima beans. Literally. He tries to hide them under the mashed potatoes, shovel them to the dog under the table (no dice, says Blackie), secret them in his napkin. His mother always finds them, and serves up even more. A solution comes via Sammy’s socks, where he deposits the beans and his mother fails to look. His mother happily assumes he’s eaten them and Sammy makes a beeline for a vacant lot where he buries the offending item. A friend notices Sammy at work and helps him by tossing in some broccoli; soon other kids are contributing failed school tests and ugly sweaters and yet more vegetables. Judgment Day comes when a bolt of lightning hits the now sizable mound, transforming the dump into a horrible lima bean monster—big, green, covered with bits of broccoli, an accordion, and that sweater. The monster is about to munch Sammy when the smart lad points out that his science teacher, who is trying to make a fast getaway, would make a bigger and better meal. Soon the monster has grabbed every grown-up around. Salvation comes when the kids decide to eat their vegetables—the monster—lima beans included (but not the ugly sweater). The admonition to “eat your vegetables” gets the drubbing every kid feels it richly deserves; vegetables really are as evil as they think. Bug-eyed, jazzed-up art invests the cockamamie story with all the zest it can handle, starting with a plate of very angry-looking beans on the title page. A little forced, but the theme has definite appeal. (Picture book. 4-7)
Pub Date: Aug. 1, 2001
ISBN: 0-8027-8776-2
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
A solid, small step for diversifying STEM stories.
What does Annie want to be?
As career day approaches, Annie wants to keep her job choice secret until her family sees her presentation at school. Readers will figure it out, however, through the title and clues Tadgell incorporates into the illustrations. Family members make guesses about her ambitions that are tied to their own passions, although her brother watches as she completes her costume in a bedroom with a Mae Jemison poster, starry décor, and a telescope. There’s a celebratory mood at the culminating presentation, where Annie says she wants to “soar high through the air” like her basketball-playing mother, “explore faraway places” like her hiker dad, and “be brave and bold” like her baker grandmother (this feels forced, but oven mitts are part of her astronaut costume) so “the whole world will hear my exciting stories” like her reporter grandfather. Annie jumps off a chair to “BLAST OFF” in a small illustration superimposed on a larger picture depicting her floating in space with a reddish ground below. It’s unclear if Annie imagines this scene or if it’s her future-self exploring Mars, but either scenario fits the aspirational story. Backmatter provides further reading suggestions and information about the moon and four women astronauts, one of whom is Jemison. Annie and her family are all black.
A solid, small step for diversifying STEM stories. (Picture book. 4-7)Pub Date: March 6, 2018
ISBN: 978-0-88448-523-0
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
This pleasant look at gardening in a city setting reflects a growing trend.
Several inner-city children work together to plant seeds and cultivate their own gardens, transforming their little “anywhere farms” into a lush, green community garden covering a vacant city lot.
A pink-cheeked little girl in overalls receives a single seed from a helpful tan-skinned neighbor on the title page, and she then inspires a flurry of gardening in her neighborhood with children and adults of different ethnicities joining in, including a white boy who uses a wheelchair. The bouncy, rhyming text conveys the basic requirements of growing plants from seeds as well as suggesting a wide variety of unusual containers for growing plants. Several leading questions about the plant growth cycle are interspersed within the story, set in large type on full pages that show a seed gradually sprouting and growing into a huge sunflower on the final, wordless page. The joyful text makes growing flowers and vegetables seem easy, showing plants spilling out of alternative containers as well as more traditional raised beds and the concluding, large garden plot. The text focuses on the titular concept of an “anywhere farm,” without differentiating between farms and gardens, but this conceit is part of the amusing, rollicking tone. Detailed, soft-focus illustrations in mixed media use an autumnal palette of muted green, peach, and tan that don’t quite match the buoyant flavor of the cheerful text.
This pleasant look at gardening in a city setting reflects a growing trend. (Picture book. 4-7)Pub Date: March 14, 2017
ISBN: 978-0-7636-7499-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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