An optimistic, wise collection that offers the pleasures of discovery.
In a country inundated with political and social ugliness, a nationally curated poetry anthology forefronts the beautiful.
For poet, critic, and editor Lomax, a poem can be many things. This anthology features entries from poets from every state and, pointedly, the United States’ inhabited territories and commonwealths. Each contributor provides a “found poem” that conveys what they find beautiful. In short, Lomax asked each writer to engage in “witnessing, not creating.” A couple of poets chose work by others, but several chose photographs, news articles, and social media screenshots. Each work includes the rationale for its submission. Many revered poets participate, including Eileen Myles, Jericho Brown, and Dorothea Lasky, but there are several lesser-known writers hailing from as far as Cameroon and South Korea. The location and text appear on the left and the image on the right; this is a welcome layout concept since more abstract images require context for readers to effectively see what the poet is seeing. The anthology’s theme, Lomax writes, is partially in response to the Trump presidency and its lingering assault on our ability to connect with the beauty around us; through beauty we can “heal the wrongdoing at hand.” Some works reflect on a memory that addresses multiple issues, like race, identity, and ingenuity; for example, Brown’s entry for the state of Georgia is short but affecting. He provides the phone number of a figure known as “Hustle Man” whose numerous professions make him “an example of the everything black folk will do to survive.” Tiphanie Yanique of the U.S. Virgin Islands chose a screenshot that celebrates the YA novel Hurricane Child (2018) by fellow Virgin Islands writer Kheryn Callender that explores queerness, climate change, and the legacy of colonization without resting on tropes. This is an untraditional offering, and entries range widely in type and scope; the collective effect is both peripatetic and profound.
An optimistic, wise collection that offers the pleasures of discovery.Pub Date: April 7, 2022
ISBN: 979-8-9850219-6-7
Page Count: 145
Publisher: Gualala Arts
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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