In the words of the Bard himself, most wonderful.
Give her your hands, if you be friends; and Alison shall restore amends.
Alison Green has a mission. She intends to graduate as valedictorian and will do whatever it takes to get there. When a teacher asks her to help produce the school’s spring play, A Midsummer Night’s Dream, she jumps on the opportunity, thinking it’ll help boost her scholarship applications. But she quickly finds herself overwhelmed by the challenges of producing “Ye Olde Shakespearean Disaster,” from uncompromising artistic egos to funding troubles to relational tangles and triangles that seem pulled directly from the pages of the script. And if that weren’t enough, she still needs to make valedictorian. Any reader who has ever struggled with overcommitment will recognize quirky, quiet Alison’s struggle to keep her newly hectic life in check. The constant balancing act between a need for assertiveness and the drive to please everyone provokes responses—and sometimes negative consequences—that feel keenly relatable. Alison’s first-person narration is pensive and raw, capturing well the circuitous, flighty nature of her anxious thought process. Her flickering confidence and glee over small victories imbue the pages with warmth, making the pain of setbacks and new complications all the more poignant. Jansen crafts a tale both modern and timeless, exploring as it does sexuality, friendship, family relations, and trust. Alison is White and lesbian; there is diversity in supporting characters.
In the words of the Bard himself, most wonderful. (Fiction. 12-18)Pub Date: Sept. 22, 2020
ISBN: 978-1-77260-121-3
Page Count: 304
Publisher: Second Story Press
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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