A dense story with rich associative leaps, the novel will prompt discussions about race, class, sexuality, and gender.
Haunted by nightmares and the dangers of life in a Los Angeles barrio, Manuel Maldonado Jr.’s courageous testimony forever changes his community.
Born with a port-wine stain that earns him the nickname “Man-On-Fire,” 12-year-old Manny plays with a group of three friends in the shadow of the Pacific Railroad in the late 1950s. He and his buddies engage in dangerous games along the tracks, throwing oranges at hobos who ride on the cars. When they find a dead body and run into trouble with a crooked policeman, they seem destined for juvenile detention. With the return of an uncle from prison, a drug-ridden hometown, and a racist cop on the loose, Manny’s small circle of friends and family is his only safety net. In the wake of another death, a secret comes to light, leading the way to forgiveness in his family. A story about a sensitive Mexican boy in a multicultural community that also includes Japanese-Americans and African-Americans, the novel treats difficult themes with hope. “I’m telling you this now because I don’t know when I’m going to die,” our young narrator says at the beginning of the novel. By the end of the story, readers will understand the obstacles thrown in the paths of youths from disadvantaged communities.
A dense story with rich associative leaps, the novel will prompt discussions about race, class, sexuality, and gender. (Historical fiction. 12-18)Pub Date: Sept. 18, 2018
ISBN: 978-1-941026-93-9
Page Count: 225
Publisher: Cinco Puntos Press
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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