An exhaustive look at an intriguing Old Testament figure.
A review of historical, literary, and spiritual understandings of the biblical prophet Elijah.
Arnold uses the same multifaceted perspective that he brought to Esther: Surviving in a Hostile World (2015) to offer a detailed analysis of Elijah, “one of only two men who never had to die.” He begins with the idea that the prophet both “astounds and confounds” readers, building on two predominant perspectives among biblical scholars; one school of thought regards Elijah as “humble, courageous and obedient,” while the other views him as “proud, fearful, depressive and full of doubts.” Arnold synthesizes his vast amount of research on these competing notions into a larger discussion of Elijah’s strengths and weaknesses: “Elijah seems to struggle in the domain of grace, whereas he excels in the domain of judgement,” he writes, investigating these two biblical themes thoroughly and using them to help explain the prophet’s perplexing nature. The author writes extensively of the literary merits of 1 Kings and 2 Kings, which contain Elijah’s story, addressing literary devices and providing fascinating interpretations of Elijah’s treatment by God and by the biblical author: “the writer acts exactly like the LORD, who hands over Israel and her king to judgement, but pampers his prophet.” Arnold works to extend traditional literary studies, which are usually limited to specific chapters of Kings, by studying the entirety of the biblical book. His comparisons of Elijah and Moses, as well as his detailed historical context of the times in which Elijah lived, will be of interest to biblical scholars. Overall, the book offers a dense study of a contentious figure that may overwhelm readers who don’t already have a significant interest in Elijah. But those who do will appreciate Arnold’s succinct, engaging ideas.
An exhaustive look at an intriguing Old Testament figure.Pub Date: Feb. 11, 2015
ISBN: 978-1-5084-1725-5
Page Count: 230
Publisher: CreateSpace
Review Posted Online: Jan. 27, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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