A playful, dreamily illustrated adventure.
In Blough’s picture book, a young girl treks from bedroom to breakfast table while imagining herself to be a polar bear.
Emma, depicted at the outset of the story as a polar bear cub, wakes one morning in her ice-cavern bedroom, her mother calling her to breakfast. Anticipating a feast of berries, seaweed, and fish, Emma sets out, following her nose up icy cliffs, down slippery slopes, across shimmering plains, and over jagged crevasses. Along the way, she encounters a bristly, tusked walrus intent on stealing her meal. They roll and tumble, but Emma wins out. She claims her delectable prize, which turns out to be... pancakes. Though skeptical of the human breakfast staple in polar-bear form, Emma as a blonde human girl finds them delicious. She and her brother polish off their meal and go to play some more. (“LEFT PAW, RIGHT PAW, LEFT PAW AGAIN, repeating her steps till she reached the end.”) Blough narrates Emma’s story via a straightforward, loosely rhymed text placed strategically amid the unfolding action and rendered bold and EXTRA-LARGE where emphasis demands. Mongodi, making sublime use of subdued, arctic colors, provides a two-page spread of digital illustrations that sparkle with a sense of place and personality. Capturing the essence of traditional acrylic and oil paintings, these images render bear-cub Emma a most delightful and expressive protagonist, transforming her imaginings into wondrous works of art. Young readers will thrill and tumble along to the denouement.
A playful, dreamily illustrated adventure.Pub Date: Nov. 20, 2025
ISBN: 9798991726719
Page Count: 32
Publisher: Bluebird Lane
Review Posted Online: Nov. 6, 2025
Review Program: Kirkus Indie
A flavorful call to action sure to spur young introverts.
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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