The author’s affection for his principals permeates all, brightening the dark corners and dulling the jagged edges.
Veteran journalist de Visé (co-author, with Su Meck: I Forgot to Remember, 2014) returns with a plethora of memories about actors Andy Griffith and Don Knotts, who propelled The Andy Griffith Show to enormous popularity in the 1960s.
As the author reminds us, the show about rural Mayberry remains in the popular culture: it’s never been off the air, he writes, and Mount Airy, North Carolina, continues to profit from fans’ visits and its annual “Mayberry Days.” De Visé follows a traditional dual biography format, alternating chapters about his principals at first and then blending their stories later on: birth to death to interment to afterglow. He does little to conceal his own affection for the performers, writing about “the magic that could unfold” between the two and how Griffith, despite “whatever drama might be playing out at home…remained an impeccable professional on the set.” For many readers, this will become grating. The author doesn’t neglect the dark side of the story, though he hardly emphasizes it. Both Griffith and Knotts married three times, and both had what de Visé winkingly calls a wandering eye. Griffith drank heavily and battled physically with his first wife, and Knotts partied hard. Griffith also had an envious streak: Knotts won five consecutive Emmys on the show; Griffith won zero. We follow the rise of their careers—early on, Knotts was a ventriloquist—their meeting on the set of No Time for Sergeants, and their fast friendship, which waxed and waned and waxed again. De Visé often tells us a bit about specific episodes and about the other players in the productions (with some emphasis on Jim Nabors), and he chronicles the tougher post-Mayberry years that, for Griffith, terminated with his success on his show Matlock, which ran from the mid-1980s to mid-1990s. Knotts had later success in low-budget films and with touring theatrical productions.
The author’s affection for his principals permeates all, brightening the dark corners and dulling the jagged edges.Pub Date: Nov. 3, 2015
ISBN: 978-1-4767-4773-6
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Aug. 14, 2015
Kirkus Reviews Issue: Sept. 1, 2015
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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