A colorful story for kids who approach everything with gusto.
In his debut picture book, Swiss chef Humm draws on aspects of his own childhood in a story to help kids dream bigger.
Daniel, a blond-haired boy with pale skin, is told to draw his dream house for class, so he goes all out, as he often does with things he loves. His classmates all stick to their one page, but Daniel’s illustration of his dream house covers the classroom walls. The furious teacher sends him to the principal, who then sends the boy home. “How can there be rules for dreams?” cries Daniel. Luckily, Mama Brigitte encourages him to dream big. Together, they cover an entire room in drawing paper—and Daniel has all the room he needs to approach the assignment his way. Humm’s story relates a single episode in a child’s life—the perfect length for a picture book. Kids who’ve felt singled out for their enthusiasm will see themselves in a positive light. The author’s gratitude for his supportive mother, also named Brigitte, is noted in the dedication and is clear in the tale itself, which offers a great representation of a positive adult influence. Pedott’s full-color illustrations, mostly two-page spreads, effectively reflect the big-picture message. The last pages even nod to the author’s real-life restaurant profession.
A colorful story for kids who approach everything with gusto.Pub Date: Jan. 20, 2026
ISBN: 9798988567028
Page Count: 44
Publisher: Hightree Publishing
Review Posted Online: Oct. 8, 2025
Review Program: Kirkus Indie
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
BOOK REVIEW
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.
The future is now…and it’s exceedingly silly.
“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9798217033171
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
BOOK REVIEW
BOOK REVIEW
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