by Daniel Kraus ‧ RELEASE DATE: Oct. 25, 2016
A grisly reflection on human nature.
Born in 1879, murdered in 1896, and awakened 17 minutes later as a sort of animated cadaver, Zebulon Finch offers this second installment of his autobiography, spanning 1941 to the 21st century.
Blond, white, self-proclaimed handsome devil Finch, perpetually 17, continues his limping course through key moments of American history. He unfailingly reveals humanity’s most brutal tendencies, including World War II concentration camps, the vitriol of 1950s suburban housewives, and chronic abuses within mental health facilities. As in The Edge of Empire (2015), Finch still occasionally longs for acceptance from his fellow man, even fantasizing about becoming a stepfather figure at one point. But any sympathy these episodes may garner from readers is soon destroyed by his inevitable return to cruelty. It’s difficult to forgive decisions like his formation of a strange 1970s desert cult in which he encourages followers to practice cannibalism. Kraus’ signature gory prose offers details of these practices: “A typical recipe was to remove a chunk of meat from one’s thigh…and simmer it in broth before offering it to a friend.…It was an acquired taste, so new mothers rubbed blood on their nipples so that their breastfeeding children would develop the craving.” Moments like these may haunt readers far beyond any of Finch’s emotional or theological ruminations. In the end, Finch's fancy vocabulary and occasionally affected formality never obscure his interior monster.
A grisly reflection on human nature. (Horror. 14 & up)Pub Date: Oct. 25, 2016
ISBN: 978-1-4814-1142-4
Page Count: 784
Publisher: Simon & Schuster
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Daniel Kraus ; illustrated by Rovina Cai
by Tomi Oyemakinde ‧ RELEASE DATE: Sept. 26, 2023
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Katherena Vermette illustrated by Scott B. Henderson Donovan Yaciuk ‧ RELEASE DATE: March 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by Katherena Vermette ; illustrated by Scott B. Henderson and Donovan Yaciuk
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by Katherena Vermette ; illustrated by Julie Flett
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