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PANDAEMONIUM

ETHNICITY IN INTERNATIONAL POLITICS

A timely, informed plea from New York's senior US senator ``to make the world safe for and from ethnicity.'' Moynihan presented an early version of this material in November 1991 as a lecture at Oxford; he's updated that text with notes on such events as the ``ethnic cleansing'' occurring in Bosnia. There's a certain amount of self-congratulation here (guess which politician, virtually alone in the 80's, predicted the collapse of the Soviet Union while the ``realists'' wailed about the Red tide?), but, at his best, Moynihan displays erudition and a mastery of material. Both the American liberal belief in a melting pot and the Marxist belief in class solidarity, he shows, badly underestimated ``the persistence of ethnicity.'' Although a believer in Woodrow Wilson's notion of international law, he points out what a Pandora's box that visionary's concept of ``self- determination'' has proven. Not only did Wilson refuse to apply the concept to America's allies (notably regarding Britain's control of Ireland), but he was ignorant of the idea's presumed beneficiaries and fuzzy about what the term meant in the first place. Moynihan lucidly explains how Communists pushed self-determination for ethnic groups without reconciling this with an international proletarian movement; how the UN Charter has been bedeviled by contradictory clauses on self-determination and noninterference with nations' internal affairs; and how preferential policies for majorities and entrenched minorities, both abroad and at home, exacerbate intergroup conflict. Throughout, the senator's mordant observations on historical myopia are leavened with typically puckish wit (``For years Europeans asked: Why is there no Socialist movement in the United States? The answer may be that we knew better''). The latest in a series (On the Law of Nations, 1990, etc.) demonstrating that Moynihan may be America's foremost literary politician—someone who can advance policy as cogently on the written page as on the stump.

Pub Date: March 1, 1993

ISBN: 0-19-827787-3

Page Count: 208

Publisher: Oxford Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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