Absolutely wonderful. Read it to your dog.
Bubbling Pinkwater (The Afterlife Diet, 1995, etc.), NPR humorist and children’s author, tail-wags over the dogs in his life and draws their pictures.
Pinkwater is not Jack London, his white fang baring the call of the wild, although Pinkwater’s father believes that Daniel’s Uncle Boris was talked into trekking from Warsaw across Russia, Siberia, Mongolia, and China to catch a boat to Alyeska and the Yukon, by none other than London himself, a Pole who lived over his father’s tailor shop with an angry wife and three children. In the Yukon, Uncle Boris went prospecting with a team of Malamutes, whose leader, Jake, spoke perfect Polish: “Ir zeit zaier gut-hartsik” (“You are very kind”). When Pinkwater’s father emigrated from Warzawa to Manhattan in 1920 (and hence to Memphis), where he rose from the depths to the lower depths as a ragpicker, Uncle Boris, who sold a black chow-chow to Freud and had a photo to prove it, moved into the Memphis apartment and gave the house the gift of a Pekingnese called Bobby, who saved Danny from being eaten. “During that vulnerable period in which I was not dissimilar to a meat loaf, he lurked under my crib, growled, and challenged anyone who came near me. . . . ” Skip many years and Daniel’s married to Jill in Hoboken and buying Juno, a Malamute puppy. “Dogs are yuppies. They have the corporate mentality. They will climb up your body to get to the top. This is all dogs.” As Juno grows, he pushes Jill out of bed at night and Daniel awakes to a grotesquely grinning face, gazing lovingly on him. Later, his Inuit Lulu’s litters become holy terrors, with the prettiest and brightest puppy ready to eat his mother’s liver. But Maxine, the house Labrador, an insanely maternal control freak, straightens out the disobedient pup and gives her what moral qualities she may have.
Absolutely wonderful. Read it to your dog.Pub Date: Nov. 7, 2001
ISBN: 0-684-85632-8
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Talamon's duotone photographs capture Jamaican reggae star Bob Marley (194581) with a rough humanity that comes as a relief after Steffens's hagiographic text. Steffens (a journalist who contributes to Reggae and African Beat, among other magazines) describes Marley's Jamaica and the peacemaker role he tried to play there between political factions and their loosely affiliated street-gang surrogates, his pan-Africanism, and his music career. But he adopts the tone of one writing the lives of the saints: ``As long as there are the downpressed among us, the exploited and disenfranchised, as long as lovers need words of comfort and reassurance, as long as there is a God who is worthy of praise, then shall we rejoice in the words and works of Bob Marley. Long may he live!'' The Rastafarian Marley was indeed seen as more than a musician or entertainer by his most loyal followers. A strangely messianic figure, Marley had the role of prophet thrust upon him, and he accepted it. The photographs, however, show Marley exhausted, Marley with a joint in his hand, Marley ecstatic on stage, Marley with a joint in his mouth, Marley explaining pan- Africanism to Africans in Gabon, Marley thoughtful, Marley clowning, Marley very, very stoned. They achieve greater distance from Marley than does the text. As a result, they not only are more interesting but also convey more powerfully a sense of Marley's genuine charisma.
Pub Date: Dec. 1, 1994
ISBN: 0-393-03686-3
Page Count: 128
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1994
The latest sampling of choice nonfiction from America's literary journals and magazines, in a series that is a perennial success. In his introduction, this year's editor, humorist Frazier (Acme v. Coyote, 1996, etc.), describes the essay as a piece that happens when a writer quits longing for form and just writes ``for no better reason than the fun and release of saying.'' And because the genre ``provides a way to tell the narratives and speculate on them at the same time,'' he suggests, it has a particular appeal for an age quite self-absorbed and anxious to puzzle out where it is going. There are some familiar practitioners of the form here, including Susan Sontag, Cynthia Ozick, and Gay Talese. Other veteran writers, such as poet Charles Simic and novelists Richard Ford and Thomas McGuane, are less well known as essayists, though equally strong. And some less familiar writers contribute startling work. Among the standouts is Jo Ann Beard's tour-de-force ``The Fourth State of Matter,'' which describes in fascinating detail the events leading up to tragedy when a disillusioned physics doctoral candidate named Gang Lu shot up the offices of the Iowa City scientific journal where Beard was the managing editor, killing several people; and Paul Sheehan's ``My Habit,'' on his crack-vial collection, which retains its allure even without the cool photographs of his unusual archive that accompanied the essay's original publication in the New Yorker. Boston-based psychologist Lauren Slater's ``Black Swans,'' in which she describes her battles with obsessive-compulsive disorder, has a painful vibrancy. Vietnamese-American Là Thi Diem Th£y's ``The Gangster We Are All Looking For'' is a wrenching exploration of immigrant life in California. Discrete but complementary entertainments in a range of keys that continue to define what is surely one of our most robust literary forms.
Pub Date: Nov. 3, 1997
ISBN: 0-395-85695-7
Page Count: 212
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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