Insightful reflections from a thoughtful, energetic activist.
A young activist’s fresh take on climate change.
Readers reluctant to open another discouraging scientific explanation or call to action may perk up to discover that this is neither. In his first book, Sherrell, born in 1990, reveals that he has been obsessed with human-induced climate change for a decade. For the past five years, he has worked as an organizer at NY Renews, a statewide coalition aiming to reduce carbon emissions, mostly by lobbying New York’s government. A workaholic who spends his days on the phone, answering emails, attending meetings, and planning demonstrations, the author is deeply committed to fighting what he calls “the Problem”—and unlike many in his position, he understands that victories are few and less than complete. Here, the author unburdens himself, demonstrating the creativity that won him a Fulbright grant in creative nonfiction. Rather than delivering a polemic, autobiography, or confessional, Sherrell structures the narrative as a long letter to a hypothetical child that he hasn’t yet decided to bring into this fraught world. He is careful to note that “my aim here is not to wield you as a political cudgel.” Readers may approach the book as memoir since he recounts details of his background, education, social life, beliefs, and doubts, sometimes through conversations with friends, parents (sympathetic), therapists, and colleagues, sometimes through the words of poets, scientists, novelists, and the occasional guru. Although the author refuses to despair, he readily accepts the grim scientific evidence and that matters will get worse before they get better—if they ever do. Mostly, he addresses his unborn child, less to apologize for delivering it into a miserable future than to examine the value of his own life. As he writes, sagely, “a letter to you really just becomes a letter to me, replete with its own misfirings, its own blend of hurt and care.”
Insightful reflections from a thoughtful, energetic activist.Pub Date: Aug. 3, 2021
ISBN: 978-0-14-313653-8
Page Count: 272
Publisher: Penguin
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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