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THE OTHER WOMAN

Gripping as always and grimly realistic.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • New York Times Bestseller

Gabriel Allon is back in action.

For a time, it looked like Israel’s most famous spy might actually retreat to a desk job. In The Black Widow (2016) and The House of Spies (2017), it seemed as if Allon's creator was bringing younger, secondary characters to the foreground, but Allon has now taken center stage again. In this way and others, Silva's latest feels like a throwback to some of the earlier books in the series as well as to spy novels of the Cold War era. This is not the product of a lack of creativity on Silva’s part but rather a reflection of current events. Russia is the adversary here, and Allon and his team must find the one woman who can reveal the identity of a mole who has reached the highest echelons of Britain’s MI6. The search will take Allon deep into the past, into the secret heart of one of the 20th century's greatest intelligence scandals. Silva’s work has always had a political edge, and his storytelling has only grown more biting recently. Although he doesn’t name the current American leader, he does mention “a presidential tryst with an adult film star” as well as that president’s strange fondness for Vladimir Putin. Silva depicts a world in which communist true believers are dying out while far-right populists around the world look to the New Russia as a triumph of hard-line nationalism. The alliances that have sustained Western democracies are fraying, and Europe is preparing for a future in which the United States is no longer a reliable friend, nor a superpower. Silva’s work is always riveting, but this summer blockbuster isn’t exactly an escape—especially for readers who stick around for the author’s note at the end. Although the Gabriel Allon novels are interrelated, Silva is adept at crafting narratives that can stand alone. This thriller will satisfy the author’s fans while it will also appeal to those who appreciate past masters of the genre like John le Carré and Graham Greene.

Gripping as always and grimly realistic.

Pub Date: July 17, 2018

ISBN: 978-0-06-283482-9

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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KISS THE GIRLS AND MAKE THEM CRY

Clark's usual mixture now updated, with surprising and welcome assurance, for a new generation of imperiled women.

The doyenne of damsels in distress enters the brave new world of #MeToo.

Returning from a trip to Hong Kong, investigative journalist Gina Kane is eager to see her boyfriend, banker Ted Wilson, and nearly as eager to hear from CRyan, the mysterious correspondent who’d emailed her about “a terrible experience with one of the higher-ups” at REL News. But Ted has just left on a business trip of his own, and despite Gina’s repeated attempts, CRyan doesn’t reply. By the time Gina has identified her as Catherine Ryan, she’s been killed in a jet ski accident in Aruba. Since Cathy was an old hand at jet skiing whose death seems suspiciously timed, Gina, with the blessing of Geoffrey Whitehurst, the incoming editor at Empire Review, takes off for Aruba, where she satisfies herself that this was no accident. A long flashback to two years earlier shows REL associate producer Lauren Pomerantz reporting to Michael Carter, a lawyer in the news organization’s HR department, that venerable anchor Brad Matthews has harassed her and that she’s gotten some convincing proof that will put paid to he-said, she-said. The next hundred pages mark a notable stretch for Clark (I’ve Got My Eyes on You, 2018, etc.), who clearly relishes the opportunity to show a bunch of high-priced lowlifes—Matthews, Carter, CEO Richard Sherman, and Frederick Carlyle Jr., son and heir apparent to REL’s founder—scrambling to cover up Matthews’ bad behavior without leaving any trace that they’re doing so. Back in the present, Gina leans on enough sources to link Cathy Ryan’s death to Matthews’ serial abuse, but at considerable cost. Her relationship with Ted, who’s helping handle REL’s move to turn itself into a public corporation, is seriously jeopardized by her sleuthing. She can barely spare the time it takes to fly to Buffalo to check out the bona fides of her recently widowed father’s much younger new girlfriend. And savvy readers will realize long before Gina does that one of the conspirators at REL whose wings she plans to clip has ideas about clipping hers first.

Clark's usual mixture now updated, with surprising and welcome assurance, for a new generation of imperiled women.

Pub Date: Nov. 5, 2019

ISBN: 978-1-5011-7170-3

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE BUTTERFLY GIRL

A humane, though frequently mawkish, look at a system where too many fall through the cracks.

An investigator who specializes in locating missing children turns her attention to a case closer to home.

After introducing Naomi Cottle to readers in The Child Finder (2017), Denfeld has brought back the tough-but-fragile searcher to explore her origins. As a girl, Naomi was held captive with her sister in a bunker in rural Oregon; one day, Naomi escaped and ran to safety and was eventually taken in by a foster mother. But Naomi was never reunited with the sister she had to leave behind, and now, 20 years on, without even the ability to remember her sister’s name, Naomi is trying to find her, starting with the street community in Portland. She’s especially drawn to one girl she meets, Celia, a 12-year-old who’s been homeless since reporting her stepfather for sexual abuse only to see him acquitted and able to move back into the family home, where Celia’s younger sister still lives. Despite the fact that Celia is living on the streets at the same time as young homeless women are being murdered and dumped into the river, she feels safer there than at home thanks to the refuge she takes in the local library and in her imagination, where she obsesses over butterflies and the freedom they represent. As she works to recover her sister, gain Celia’s trust, and uncover the serial killer, Naomi serves to remind us of the message of all of Denfeld’s work: “People stop existing once you forget them”—and no person deserves to be forgotten. If Denfeld would ease up a bit on the sentimentality, this message could shine through all the more.

A humane, though frequently mawkish, look at a system where too many fall through the cracks.

Pub Date: Oct. 1, 2019

ISBN: 978-0-06-269816-2

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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