A captivating first installment in what promises to be a compelling, feminist Viking fantasy.
The mortal daughter of a god fights to become the mistress of her own fate in this tightly plotted series starter.
Twenty-year-old Freya has spent her entire life hiding her ancestry. In her world—a take on medieval Scandinavia—the Norse pantheon blesses mortal babies with drops of the deities’ own blood, imbuing them with fractions of divine power. As the daughter of Hlin, Freya is the shield maiden prophesied to “unite the people of Skaland beneath the rule of the one who controlled her fate.” After her abusive first husband learns her true identity, he turns her over to the jarl, Snorri, who grants him a divorce so that Snorri may marry Freya himself. Snorri believes his new bride is his key to becoming Skaland’s king. So does his beloved and cunning first wife, Ylva, who desperately wants to see her own son on the throne, but it’s Bjorn—the jarl’s firstborn, Ylva’s stepson, and the child of Tyr—who’s in line to inherit. Snorri appoints his heir as Freya’s personal bodyguard, not knowing that his son happens to be the object of his new wife’s forbidden affections. As for the shield maiden, she barely has time to consider her hopelessly complicated position in Snorri’s court, with other jarls beginning to launch attacks on her people, determined to steal her away from her new husband. All these men are certain she’ll crown a king, thereby determining the fate of their entire nation, but they’ve forgotten one very important rule: The children of the gods aren’t bound by fate. Jensen offers a vibrant and perfectly paced novel that’s sure to delight readers of historical fantasy. Although some of the writing reads a little too contemporary at times—an early passage in which one character is dubbed a “narcissist” is a prime example—the tension among Freya, Bjorn, and the rest of Snorri’s court is simply irresistible.
A captivating first installment in what promises to be a compelling, feminist Viking fantasy.Pub Date: Feb. 27, 2024
ISBN: 9780593599839
Page Count: 432
Publisher: Del Rey
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Jan. 1, 2024
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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