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THE YOU I SEE

A queer romance that offers an uplifting, if somewhat predictable, tale of first love.

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Two 13-year-old boys discover love and sexuality in this debut YA romance.

Set in late-1980s Houston, Freeman’s novel opens with the electric chemistry between the protagonist and narrator, Alex Kennedy, and Brandon Marshall. The teens meet at the Bissonet Avenue Church of Christ, where Brandon’s father is the preacher. Brandon is a jock with “incredibly fair brown hair” who talks fast and cracks crude jokes that keep the more reserved, intellectual Alex on his toes. But from their first encounter, Alex realizes he can’t imagine a life without his new friend, who looks “like he just stepped out of a magazine.” At group retreats and sleepovers, Alex discovers the world of fundamental Christianity. Brandon’s menacing father lords Scripture over his family in contrast to Alex’s loving, open-minded parents, who put his happiness and safety above all else. That does not stop the boys from discovering each other’s bodies—and their mutual admiration for the Adonis-like high schooler Joel Thompson. Small physical affections quickly escalate to a deeply felt yet necessarily secret romance. But homophobic attacks, local politics, and the bigotry of Brandon’s own family all brew in the background, threatening to separate the teens as they start to come to terms with their confusing feelings. Through Alex’s wise-beyond-his-years voice, Freeman perfectly captures the uncertainty and intensity of a friendship on the verge of a queer romance, and the contradictorily cosmopolitan and conservative Houston is a perfectly rendered setting. Unwavering support from Alex’s parents right from the start produces a few very moving moments, but it also deflates the dramatic tension. (Their frank discussions with the boys can also feel more like a progressive parenting manual than realistic conversations.) The plot often seems on the verge of something darker and more complex—like Alex’s borderline inappropriate sleepovers with the much older Joel—but the author consistently returns to the simpler, sweeter, and more classic beats of love triumphing over all.

A queer romance that offers an uplifting, if somewhat predictable, tale of first love.

Pub Date: July 12, 2022

ISBN: 978-1-63988-311-0

Page Count: 402

Publisher: Atmosphere Press

Review Posted Online: May 23, 2022

Kirkus Reviews Issue: July 15, 2022

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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