More drab than the subject needs, but a cleareyed overview of the modern interaction of culture and politics.
A look at the intersection of politics and art during our most recent annus horribilis.
Two Republicans recently in office, Trump and Reagan, came to politics by way of show business, “not anomalies but products of a political mindset that saw entertainment as one of the levers that generated populist political power.” Democrats have been a touch more sanguine about the political uses of the entertainment industry, but as Goldberg notes, the industry has generally tilted their way. Still, culture often leads politics. The author takes as a prime example the way in which TV shows such as Will & Grace, Ellen, and Modern Family helped place LGBTQ+ issues in the mainstream and enhance public acceptance of gay marriage. Before Trump, he notes, only one TV entertainment program, the Jon Stewart–helmed Daily Show, centered on politics; with Trump, nearly every such show took up political discourse. Meanwhile, stars such as Taylor Swift, who had been carefully apolitical—and, Goldberg notes, had become an unwitting idol of the neo-Nazi movement—before, rose in opposition to Trump and his base. “For many artists, Trump’s victory reflected a broad and sinister authoritarian agenda,” writes the author, and the result was an outpouring of productions such as the series rendering of Philip Roth’s novel The Plot Against America. Trump bloviated via Twitter about the array of entertainers and culture influencers lined up against him—many, like Swift, inspired to take up rhetorical arms against his agenda thanks merely to his awfulness: Fran Drescher, Dwayne “The Rock” Johnson, John Legend, and numerous others all made a stand, even as Trump got worse and worse. Goldberg’s text often plods, more dutiful than rapt, as he enumerates those against Trump (and few pro, mostly has-beens like Scott Baio). One thing’s for sure: The One America News Network crew will be more sure than ever that Hollywood is a leftist cabal.
More drab than the subject needs, but a cleareyed overview of the modern interaction of culture and politics.Pub Date: Nov. 2, 2021
ISBN: 978-1-61775-979-6
Page Count: 280
Publisher: Akashic
Review Posted Online: Aug. 25, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For fans only.
The hoodie-and-shorts-clad Pennsylvania senator blends the political and personal, and often not nicely.
Fetterman’s memoir addresses three major themes. The first—and the one he leads with—is depression and mental illness, which, combined with a stroke and heart trouble, brought him to a standstill and led him to contemplate suicide. The second is his rise to national-level politics from a Rust Belt town; as he writes, he’s carved a path as a contentious player with a populist streak and a dislike for elites. There are affecting moments in his personal reminiscences, especially when he writes of the lives of his working-class neighbors in impoverished southwestern Pennsylvania, its once-prosperous Monongahela River Valley “the most heartbreaking drive in the United States.” It’s the third element that’s problematic, and that’s his in-the-trenches account of daily politics. One frequent complaint is the media, as when he writes of one incident, “I am not the first public figure to get fucked by a reporter, and I won’t be the last. What was eye-opening was the window it gave into how people with disabilities navigate a world that doesn’t give a shit.” He reserves special disdain for his Senate race opponent Mehmet Oz, about whom he wonders, “If I had run against any other candidate…would I have lost? He got beaten by a guy recovering from a stroke.” Perhaps so, and Democratic stalwarts will likely be dismayed at his apparent warmish feelings for Donald Trump and dislike of his own party’s “performative protests.” If Fetterman’s book convinces a troubled soul to seek help, it will have done some good, but it’s hard to imagine that it will make much of an impression in the self-help literature. One wonders, meanwhile, at sentiments such as this: “If men are forced to choose between picking their party or keeping their balls, most men are going to choose their balls.”
For fans only.Pub Date: Nov. 11, 2025
ISBN: 9780593799826
Page Count: 240
Publisher: Crown
Review Posted Online: Nov. 17, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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