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DISPATCHES FROM THE CULTURE WARS

HOW THE LEFT LOST TEEN SPIRIT

Members of the DNC will want to study up on this one.

Smart reports from the countercultural trenches, where ’60s veterans trudge onward.

The subtitle is a little misleading, holding forth the promise of contrarian political analyses à la Hitchens or Cockburn, if a little than the usual Nation fare. Goldberg, a longtime music-industry exec and now CEO of the embattled Steve Earle’s Artemis label, gives readers principled arguments aplenty, but in the main, this is more personal than all that—it might better be subtitled, “How I Remained Rad and Mad While Everyone Else Became Yuppies.” Rad-mad Goldberg has indeed remained, fighting such good (if ultimately compromised) fights as the music industry’s efforts to buck the Tipper Gore–led crusade to sticker potentially offensive recordings. Tipper serves as a handy foil for Goldberg’s First Amendment absolutism throughout, as does her husband Al. “A major reason Gore lost in 2000,” Goldberg writes, neatly sidestepping the question of whether he lost at all, “was a very severe case of liberal snobbery. With his unwillingness or inability to communicate in ordinary language . . . his shrill attacks on popular culture, his selection of a running mate even more sanctimonious and elitist than he, and his obsessive need to distance himself from President Clinton, Gore turned off millions of voters he could have attracted.” And therein, in Goldberg’s feisty analysis, lies the problem with liberal/progressive politics in America: its elder practitioners have no interest in the young, are insulated from popular culture, are dreadful snobs, and have as little idea of the realities of working-class life as George Bush. The right, he continues, is far more at ease working the youth-culture angle, co-opting pop stars and movie idols to further its dark agenda. Throughout his winding narrative, which chronicles his sentimental education as an activist (and which music buffs will find much fun to read), Goldberg urges lefties to let down their hair and start trusting the under-30 crowd, whereupon a new age of Aquarius will descend on the land and the likes of Dubya will go unemployed.

Members of the DNC will want to study up on this one.

Pub Date: June 1, 2003

ISBN: 0-7868-6896-1

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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