That’s entertainment.
When her second novel hits a wall, a biracial California writer makes a desperate attempt to start a TV career.
One of the funniest scenes in this brilliant, of-the-moment, just really almost perfect book happens early on, in a flashback to the party in Brooklyn where Jane met Lenny, her husband and the father of their two kids. Feeling that she’s aging out of the dating game, Jane has recently consulted an “intuitive psychodynamic counselor with a specialty in racial alchemy,” aka a psychic, who told her she’s about to meet her future husband, a funny, tall, handsome Black man who would be wearing “West Coast shoes.” But when she meets Lenny, who seems to perfectly fit this description, he’s with a very possessive white girlfriend. “Ebony and ivory, together in disharmony...perhaps because it was her origin story, she could not bear the sight of interracial love.” She calls the psychic from the party to confirm. The psychic says it’s definitely him, and then goes into a rant against intermarriage. “Listen, our ancestors didn’t survive the horrors of the Middle Passage so some Caucasoid poet could miscegenate us out of existence.” He also says that if she doesn’t get this guy, she’ll be alone for 24 years. That gets her moving. And since Senna is married to the writer Percival Everett, it’s kind of fun to imagine that this intellectual, anti-capitalist, abstract visual artist husband is sort of...yeah. But that’s just one of the great things. The rant about teaching Gen Z versus millennial college students is sure to kill any college professor (“She had in recent years begun to assign only minimalist autofiction by queer POC authors to her undergraduates, and she had to admit it was a better classroom experience for all”), and the story of Jane’s doomed second novel, an opus on biracial characters in history that she’s spent 10 years writing, is literary satire par excellence, like R.F. Kuang’s Yellowface or Everett’s Erasure. Anyone who’s ever been obsessed with a Hanna Andersson catalog: You are also the target market. The only reason we said “almost perfect” earlier is that there’s a big plot twist that doesn’t quite compute, but if you care, that makes one of us.
That’s entertainment.Pub Date: Sept. 3, 2024
ISBN: 9780593544372
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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